Customise Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorised as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyse the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customised advertisements based on the pages you visited previously and to analyse the effectiveness of the ad campaigns.

No cookies to display.

ADVERTISEMENT

Transpacific Animation Effort ‘Extremely Short’ Makes World Premiere at Cannes Directors’ Fortnight

Complementing the solo animated feature entry Ghost Cat Anzu, another Japanese work will represent animation in the Short Film section of the Cannes Directors’ Fortnight sidebar: Extremely Short (Totemo mijikai), by Oscar-nominated filmmaker Kōji Yamamura (Mr. Head). Based on a short story by Hideo Furukawa, the project follows a man on a quest to find “the shortest thing in Tokyo” — the last breath of a dying man. The Directors Fortnight describes the film:

“Somewhere between calligraphy, embryology and words from beyond the grave, a convulsive poem wraps itself around the Japanese syllable ‘da’ — a breath that could just as well be the first as the last.”

In addition to writing the original prose poem, Furukawa recorded the narration for the film. The author and the animator’s collaboration was spearheaded by Michael Emmerich, UCLA’s Tadashi Yanai Professor of Japanese Literature. Emmerich is also director of the Yanai Initiative, a joint venture between UCLA and Japan’s Waseda University which aims to bring attention to contemporary Japanese writers. “This seemed like a way to get Japanese literature out there to reach audiences who wouldn’t otherwise encounter it, and to highlight independent animators who are doing really interesting work,” Emmerich said of the film project in an interview with the UCLA Humanities blog. “When professors teach literature and art, we’re really partnering with our students to try and transform the way we all experience those artworks. We want to learn to see them differently. Creating the chance for a work of literature to be reimagined through animation is just another way of doing that — inviting people to engage with the art in a new way.” Extremely Short is the first film in the planned series of  “Bungaku Bideo” (Japanese for “literature videos”) commissioned by the Yanai Initiative. The second, based on a Japanese prose poem by Makoto Takayanagi, is already in development. https://vimeo.com/930134858

ADVERTISEMENT

NEWSLETTER

ADVERTISEMENT

MOST RECENT

CONTEST

ADVERTISEMENT
ADVERTISEMENT