Customise Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorised as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyse the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customised advertisements based on the pages you visited previously and to analyse the effectiveness of the ad campaigns.

No cookies to display.

ADVERTISEMENT

Moonraker VFX Creates a ‘Cosmic Noir’ Universe for ‘Killers of the Cosmos’

Moonraker VFX, an award-winning visual effects studio based in Bristol, U.K., has set a studio record for the number of shots delivered in a single project to bring a ‘cosmic noir’ style to new hybrid documentary, Killers of the Cosmos. Produced by Wall to Wall Media, the six-part series stars Aidan Gillen as a gumshoe comic character, who embarks on a detective mission to uncover the evidence and threats to Earth that space throws at us.

The team at Moonraker led the production for the 10-minute drama footage within each episode, filming Game of Thrones actor Gillen on greenscreen and designing a visual aesthetic that places the character in comic-book style urban environments. The series, which is currently airing on Science Channel / Discovery+ (U.S.) and Discovery Channel (U.K.), boasts over 700 shots – all of which required bespoke graphic design and animation.

Killers of the Cosmos
Killers of the Cosmos

Graham Stott, Creative Lead at Moonraker, commented, “Ingesting that number of shots, while maintaining a beautiful and consistent look, was a gigantic challenge for the team. It’s more than you would expect in a big budget feature. We had to make sure that Aidan not only looked consistent himself, but all the environments had the same visual motifs that hung together as a gallery of work.”

The VFX studio utilized a wide range of talent and wrote its own software tools, leaning on their technical VFX, animation and illustration teams to execute this new genre defining style that effectively treats live action frame by frame.

Killers of the Cosmos
Killers of the Cosmos

“It was an aesthetic approach to a project we hadn’t tried before – relying on the best creative people in Moonraker to deliver such a large volume of work where the detail of every shot is considered and consistent,” noted Moonraker VFX Producer Hannah Lewis.

Tim Lambert, Executive Producer at Wall to Wall Media, said, “The team at Moonraker managed to create a fantastic but utterly believable world in which our gumshoe could operate. No one has done anything like this on a documentary series before, and we are delighted with the results.”

www.moonrakervfx.com

Killers of the Cosmos
Killers of the Cosmos
ADVERTISEMENT

NEWSLETTER

ADVERTISEMENT

MOST RECENT

CONTEST

ADVERTISEMENT
ADVERTISEMENT