Trevor Hogg

Trevor Hogg
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‘Black Adam’ VFX Supe Bill Westenhofer on Creating a New Big Screen Antihero

***This article originally appeared in the January '23 issue of Animation Magazine (No. 326)*** A passion project long in development for action star Dwayne Johnson,...

The Year’s Top VFX Oscar Contenders

***This article originally appeared in the January '23 issue of Animation Magazine (No. 326)*** December marks moviegoers’ return to Pandora after a 13-year absence, which...

‘Slumberland’: VFX Supe Adrian de Wet on Updating Little Nemo for the 21st Century

***This article originally appeared in the December ’22 issue of Animation Magazine (No. 325)*** In his fifth outing with filmmaker Francis Lawrence, visual effects supervisor...

‘The Rings of Power’: The VFX of a Dazzling Return to Middle-earth

***This article originally appeared in the December '22 issue of Animation Magazine (No. 325)*** With a reported production budget of $465 million, Amazon Studios' blockbusters...

‘The Woman King’ VFX Supe Sara Bennett Details the True Story’s Meticulously Researched Visuals

If you thought that the Dora Milaje of Wakanda did not have a real-life counterpart, then the recently released feature The Woman King directed...

What Dreams Are Made Of: Neil Gaiman and ‘The Sandman’ VFX Team Spill the Show’s Visual Secrets

***This article originally appeared in the Sept./Oct. '22 issue of Animation Magazine (No. 323)*** In 1989, celebrated fantasy author and comic-book writer Neil Gaiman (American...

It’s Hammer Time, Again! VFX Supe Jake Morrison Takes Us Behind the Scenes of ‘Thor: Love and Thunder’

***This article originally appeared in the August '22 issue of Animation Magazine (No. 322) *** After achieving box office and comedic success with Thor:...

Exclusive: How the ‘Stranger Things’ VFX Team Conjured More Demons for Season 4

***This article originally appeared in the 35th Anniversary Issue of Animation Magazine (June-July '22, No. 321)*** The VFX artists working on the fourth season of the hit...

Exclusive: ‘Jurassic World Dominon’ VFX Supe David Vickery Unleashes the Dinosaurs Again

***This article originally appeared in the 35th Anniversary issue of Animation Magazine (June-July '22, No. 321)*** Twenty-eight years after the release of Steven Spielberg’s ground-breaking movie Jurassic...

‘The Batman’: Re-Imagining the Dark Knight with VFX Supe Dan Lemmon

***This article originally appeared in the May '22 issue of Animation Magazine (No. 320)*** Ever since his remake of Swedish vampire tale Let the Right...

Simulating an Imperfect Reality: VFX Supe Dan Glass Details ‘The Matrix Resurrections’

***This article originally appeared in the March '22 issue of Animation Magazine (No. 318)*** With the current advances in virtual reality, real-time rendering and AI,...

‘Moonfall’: Roland Emmerich & VFX Supe Peter Travers Discuss Their Latest Disaster Epic

***This article was written for the April '22 issue of Animation Magazine (No. 319)*** During the mid-1960s and early 1970s, the Moon was the center...

‘Nightmare Alley’: Dennis Berardi on Crafting a Carnival of Souls for del Toro’s Noir Showpiece

***This article was written for the February '22 issue of Animation Magazine (No. 317)*** Nightmare Alley is a departure of sorts for fantasy-horror master Guillermo...

An Early Look at the VFX Oscar Race

***This article originally appeared in the January '22 issue of Animation Magazine (No. 316)*** With no magical crystal ball available and lacking the ability to...

Conjuring Visual Magic: ‘The Wheel of Time’ Delivers an Epic Fantasy in VFX

The team behind the new adaptation of Robert Jordan’s fantasy series The Wheel of Time are hoping to capture the magic of other epic...

A Monster Evolves: Upping the Visual Ante in ‘Venom: Let There Be Carnage’

***This article originally appeared in the December '21 issue of Animation Magazine (No. 315)*** One of the benefits of producing a sequel is that the...

Neill Blomkamp’s ‘Demonic’: Possessed by New Technologies

***This article originally appeared in the Sept./Oct. '21 issue of Animation Magazine (No. 313)*** Acclaimed filmmaker Neill Blomkamp (District 9) goes beyond his usual realm...

The Way of the Samurai: BTS of ‘Snake Eyes’ with VFX Supe Olaf Wendt

***This article was written for the August '21 issue of Animation Magazine (No. 312)*** An iconic ninja warrior in the G.I. Joe franchise gets his...

A Noble Quest: ‘The Green Knight’ Conjures Chivalric Magic Thanks to Weta, Outpost & Maere Studios

***This article originally appeared in the August '21 issue of Animation Magazine (No. 312)*** One of this summer's more intriguing fantasies has an unlikely source...

Final Justice: How Weta Digital Supercharged ‘Zack Snyder’s Justice League’

***This article originally appeared in the May '21 issue of Animation Magazine (No. 310)*** With the release of Zack Snyder’s version of Justice League last...
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