Customise Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorised as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyse the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customised advertisements based on the pages you visited previously and to analyse the effectiveness of the ad campaigns.

No cookies to display.

Home Blog Page 133

‘Milo’ Makes U.S. Debut as Part of PBS KIDS’ Spring Slate

Barcelona-based DeAPlaneta Entertainment has inked a deal with American pubcaster PBS to bring the award-winning, international hit preschool series Milo to U.S. screens. Co-produced by Fourth Wall (U.K.) and DeAPlaneta Ent., the series — which has sold to more than 170 countries, dubbed into 20-plus languages — will debut on PBS KIDS and its free streaming platforms on May 13. Milo will also be available to sream on the PBS KIDS Prime Video Channel.

“We can think of no better partner to bring Milo to U.S.-based audiences than PBS KIDS, one of the most relevant kids’ networks in the world, which shares with us the commitment to delivering exceptional content to young audiences and families,” says Diego Ibáñez Belaustegui, Chief Brand Officer at DeAPlaneta Kids & Family. “This is a key agreement for the global expansion of our beloved series Milo, which in 2024 will be on air in more than 170 countries, among other destinations yet to be announced.”

Adriano Schmid, Vice President, PBS KIDS Content, add, “We’re excited to bring the playful, curious world of Milo to our audiences at PBS KIDS. We hope that Milo’s energy, sense of wonder and desire to explore a variety of jobs will open up a world of possibilities for kids across the country, helping them discover new interests and passions along the way.”

Milo, whose second season is already broadcasting in the U.K. (Milkshake) and will rollout worldwide in Fall 2024, is a colorful 2D series about a little black cat with a passion for exploring different types of jobs. Accompanied by his good friends Lofty and Lark, Milo uses role play to explore the wonderful world of vocations — from doctors and mechanics, to hairdressers, chefs and postal workers, introducing preschoolers to a variety of professions in a positive, fun way.

The series won the prize to Best Children’s series at the British Animation Awards in 2022, and Bronze at the New York Festivals TV & Film Awards that same year. This year, Milo is one of the finalists in the Best International Animated Series category at 2024 British Animation Awards, which will take place on March 7 at London’s BFI Southbank.

DeAPlaneta Entertainment recently launched the official Milo App, which is currently available worldwide in five languages: Spanish, English, French, Italian and Portuguese.

Nature Cat's Nature Movie Special Extraordinaire

Milo joins a busy Spring slate on PBS KIDS, which will include new movies for Wild Kratts and Nature Cat, the premiere of Molly of Denali Season 3, new episodes of Daniel Tiger’s Neighborhood and new Fred Rogers Prod. shorts series Donkey Hodie Bedtime Stories, as well as the new live-action shorts series Tiny Time Travel.

“This spring, PBS KIDS provides an opportunity for families to embark on exciting adventures with kids’ favorite characters, and a chance to meet some new ones, too,” said Sara DeWitt, SVP and General Manager, PBS KIDS. “Our content this season aims to nurture an appreciation of the natural world among our young audiences while also sharing important life lessons and reinforcing some of the key social skills kids need for success in school and beyond.”

Season 4 of the award-winning animated series Molly of Denali on March 25. Produced by GBH Boston, the show follows the adventures of 10-year-old Molly Mabray, an Alaska Native girl who lives in the fictional village of Qyah, Alaska. The new episodes follow Molly as she continues exploring with friends and family, from tracking down a fallen meteorite with Tooey, to connecting with her heritage by building a kiidhah zhee (a traditional steam bath) to help cure her mom’s cold, to helping a rival basketball team find an authentic mascot to represent their team.

In addition to the series’ underlying Informational Text curriculum, Season 4 also incorporates media literacy learning. For example, a story where Molly posts online about a bat she found in her attic. She finds out just how fast information can spread on the internet, and how it may not always be accurate

Next up are new movies from two hit PBS KIDS series, Wild Kratts and Nature Cat. In Wild Kratts: Our Blue and Green World, premiering April 1, the Kratt brothers disagree on what’s better: blue oceans or green forests. Aviva takes on the role of referee to demonstrate how oceans and forests work together to make our living planet, just like Martin and Chris need to keep working together. It’s up to the gang to get Martin and Chris back in sync in time to save planet Earth from Zach and Paisley Paver’s villainous plans.

A new game, World Rescue, accompanies the movie special in April and will be available on the PBS KIDS Games app and pbskids.org, with new episodes of Wild Kratts premiering April 2.

In Nature Cat’s Nature Movie Special Extraordinaire, debuting April 22, Nature Cat and his friends are trying to figure out what their movie special is about when Sir Galahad (voiced by Chris Parnell), who’s now anointed himself King Galahad, begins taking things from nature to makes his castle look more beautiful. It’s up to the gang to show him a better way to appreciate the natural beauty of their world before he does more damage to their favorite place. The special features three original songs written by Tony, Grammy and Emmy Award winner Bill Sherman and performed by the cast: Taran Killam, Kate McKinnon, Bobby Moynihan and Kate Micucci.

A new short-form series Nature Chat with Nature Cat will debut digitally the same day. In the shorts, Nature Cat speaks directly to fans about how they can help make the world a better place. Harkening back to clips from across all five seasons of the series, with the help of his production assistant Gary the squirrel, Nature Cat explores ten different sustainability topics ranging from composting and water conservation to upcycling, avoiding food waste and more.

New episodes of Daniel Tiger’s Neighborhood premiere on May 6, exploring concepts like putting things away and finding surprises wherever we are, followed by new short form series Donkey Hodie Bedtime Stories, which will premiere on May 27 across streaming platforms. These eight shorts from the popular puppet series Donkey Hodie comprise five- to six-minute videos designed to fit into kids’ bedtime routines. In each video, Donkey Hodie, Purple Panda, Duck Duck or Bob Dog reads a bedtime story to the viewer and models their own strategy for calm-downing down before bed.

MiloHere is a little taste of Milo:

Trailer: ‘Justice League: Crisis on Infinite Earths – Part Two’ Continues the DC Trilogy in April

Justice League: Crisis on Infinite Earths - Part Two

Based on DC’s iconic comic-book limited series Crisis on Infinite Earths by Marv Wolfman and George Pérez, DC’s new animated film Justice League: Crisis on Infinite Earths – Part Two is ready to make its Digital and disc debut this spring. The story unites DC Super Heroes from across the multiverse to continues the trilogy that marks the beginning of the end pf the “Tomorrowverse” story arc.

Produced by Warner Bros. Animation, DC and Warner Bros. Home Entertainment, the action-packed movie will be available to purchase on Digital (SRP $19.99) on April 9 and on 4K UHD in limited edition SteelBook packaging ($47.99 U.S. / $54.99 Canada) and Blu-ray ($29.98 U.S. / $39.99 Can.) on April 23.

Synopsis: An endless army of Shadow Demons bent on the destruction of all reality swarms over our world and all parallel Earths! The only thing opposing them is the mightiest team of metahumans ever assembled. But not even the combined power of Superman, Batman, Wonder Woman, Green Lantern and all their fellow superheroes can slow down the onslaught of this invincible horde. What mysterious force is driving them? And how do the long-buried secrets of the Monitor and Supergirl threaten to crush our last defense?

Special features on both the physical and digital releases include the featurettes “Voices in Crisis”  and “The Bat-Family of the Multiverse” as well as a sneak peek at Part Three.

Justice League: Crisis on Infinite Earths – Part Two features returning voice cast members Jensen Ackles (Supernatural, The Boys, The Winchesters) as Batman/Bruce Wayne, Emmy winner Darren Criss (The Assassination of Gianni Versace: American Crime Story, Glee) as Superman & Earth-2 Superman, Meg Donnelly (Legion of Super-Heroes, High School Musical: The Musical: The Series) as Supergirl & Harbinger and Stana Katic (Castle, Absentia) as Wonder Woman & Superwoman.

The ensemble cast also includes Jonathan Adams as Monitor, Gideon Adlon as Batgirl, Geoffrey Arend as Psycho Pirate/Charles Halstead & Hawkman, Troy Baker as Joker, Zach Callison as Robin, Darin De Paul as Solovar, Ato Essandoh as Mr. Terrific & Anti-Monitor, Keith Ferguson as Dr. Fate & Atomic Knight, Will Friedle as Batman Beyond & Kamandi, Jennifer Hale as Alura & Hippolyta, Aldis Hodge as John Stewart, Jamie Gray Hyder as Hawkgirl, Erika Ishii as Doctor Light/Dr. Hoshi & Huntress, David Kaye as The Question & Satellite, Matt Lanter as Blue Beetle, Liam McIntyre as Aquaman, Lou Diamond Phillips as Spectre, Matt Ryan as Constantine, Keesha Sharp as Vixen, Harry Shum Jr. as Brainiac 5 and Jimmi Simpson as Green Arrow.

The movie is produced by Jim Krieg and Kimberly S. Moreau and executive produced by Butch Lukic, Sam Register and Michael Uslan, directed by Jeff Wamester from a script by Jim Krieg. Casting and voice direction is by Wes Gleason.

Justice League: Crisis on Infinite Earths – Part One is available now on Digital, 4K UHD and Blu-ray. The final part of the trilogy will be available later in 2024.

DC LOGO, JUSTICE LEAGUE and all related characters and elements © & TM DC. Justice League: Crisis on Infinite Earths, Part One, Package Design & Supplementary Material Compilation © 2023 Warner Bros. Entertainment Inc. All rights reserved.

Oni Press Plans ‘Adventure Time’ Comics Compendiums ahead of New Series Launch

Eisner- and Harvey Award-winning publisher Oni Press announces a new partnership with Warner Bros. Discovery Global Consumer Products (WBDGCP) and Cartoon Network to bring the award-winning library of Adventure Time comic books and graphic novels back into print with brand-new compendium collections, beginning in fall 2024 with the Adventure Time Compendium Vol. 1 and Adventure Time: The Fionna and Cake Compendium.

In addition to its ongoing collection program for the Adventure Time library, the new partnership between Oni and WBDGCP, will also encompass an array of all-new series and graphic novels — the first comics inspired by the hit animated series in more than five years — slated to begin publication in 2025.

“For nearly a decade, the Adventure Time line of comics was a magnet for some of the most intensely talented voices working in the comics medium, drawing in an entirely new generation of readers in the process,” said Oni Press Editor-in-Chief Sierra Hahn. “Building upon the genius of Pendleton Ward’s inventive, influential, and iconic animated series, this enormous wealth of comics creativity has been out of print for far too long — and it’s an immense privilege to bring it to Oni Press, where we aim to bring forth new collections that will meet the high expectations of both original fans and new readers alike … and start to craft all-new adventures for Finn, Jake, Princess Bubblegum, Marceline and more.”

Arriving in comic shops and bookstores in October 2024, Adventure Time Compendium Vol. 1 collects the first 35 issues of the Eisner Award-winning run led by New York Times best-selling writer Ryan North (Unbeatable Squirrel Girl) that the A.V. Club called “an experience…[that] explores the vast opportunities that graphic storytelling presents.”

The first in Oni’s new line of softcover Adventure Time compendium collections features contributions from acclaimed artists Shelli Paroline & Braden Lamb (Midas), Mike Holmes (Wings of Fire), Jim Rugg (Street Angel), T. Zysk, Kat Philbin, David Cutler (Darkhold), Ian McGinty (Welcome to Showside), Jesse Tise (Electric Candyland), Carey Pietsch (The Adventure Zone), Yumi Sakugawa (I Think I Am in Friend-Love with You), Liz Prince (Regular Show), Becca Tobin (Frontier 9), Missy Peña (Steven Universe), Jeffrey Brown (My Teacher Is a Robot), Jess Fink (SPX) and Dustin Nguyen (Batman: Lil’ Gotham).

Coming one month later in November 2024, the quest into the Candy Kingdom begins anew in the Adventure Time: The Fionna and Cake Compendium, collecting Adventure Time with Fionna & Cake #1–6 from Fionna and Cake creator Natasha Allegri (Bee and PuppyCat), alongside Adventure Time with Fionna & Cake: Card Wars #1–6 from New York Times best-selling author Jen Wang (The Prince and the Dressmaker) with artists Britt Wilson (Ghost Queen) and Betty Liang (Space Vixen Falling), and shorts from creators N.D. Stevenson (Nimona), Lucy Knisley (Apple Crush) and Kate Leth (Patsy Walker: AKA Hellcat).

It’s the mathematical and radical adventures of Finn and Jake as they team up with some of Ooo’s most memorable residents to do what they do best — PUNCH THINGS! Er, we mean ADVENTURE! With Princess Bubblegum, Marceline the Vampire Queen, Ice King, Lumpy Space Princess, BMO and more along for the ride, what could possibly go wrong?!

‘Undead Unluck’ Debuts English Dub Cast for the Under

TMS Entertainment has released additional Undead Unluck English-language voice cast for members of the Under — the group of Negators that oppose The Union, on a quest for revenge against the world. The announcement comes with the release of Episode 11, “Rio de Janeiro,” in which protagonists Andy and Fuko take on a mission to raid a black market auction in search of the negator, “Unrepair.” The episode is now available on Hulu.

Additionally, TMS revealed that Chikara Shigeno — the negator with the power of Unmove, or paralyzing enemies — will appear in Episode 12.

The newly revealed cast members are:

  • Rip – Stephen Fu (Weather Report from Jojo’s Bizzare Adventure: Stone Ocean)
  • Latla – Kate Clarke (Kanbayashi from Zom 100)
  • Creed – Chris Tergliafera (Andre Camel from Case Closed)
  • Feng – Chris Wei Lewis (Kondo from ODDTAXI)
  • Chikara – Kevin Andrew Rivera (Kazuki Shindo from Shadowverse: Champion’s Battle)

Undead Unluck is based on the manga created by Yoshifumi Tozuka, which began serialization in Weekly Shonen Jump in January 2020. Tozuka made his manga debut with the one-shot Uchuu Kankou C-Arc (Cosmic Arc Travel), published in Jump Next! in May 2014.

Series Synopsis: What happens when an unlucky girl meets an undead guy? Pure chaos! Tired of inadvertently killing people with her special ability Unluck, Fuko Izumo sets out to end it all. But when she meets Andy, a man who longs for death but can’t die, she finds a reason to live — and he finds someone capable of giving him the death he’s been longing for.

Learn more at tmsanime.com/undead-unluck.

GKIDS Brings ‘The End of Evangelion’ to U.S. Theaters for the First Time

The End of Evangelion

GKIDS announced today it will bring The End of Evangelion to select theaters nationwide for event showings on March 17 & 20 — marking the film’s first bow in North American theaters. The film will be screened in its original Japanese language with English subtitles. Tickets are on sale now.

Created by Hideaki Anno, the Neon Genesis Evangelion television series is one of the most influential animated series of all time. Since its 1995 premiere in Japan, the story of teenager Shinji Ikari has emerged as one of the most iconic titles in animation history and a global pop culture phenomenon.

Originally released in 1997, this final movie version was created as an alternative ending to the Neon Genesis Evangelion TV series, remaking the final two episodes from the series. Since its release, much like its series predecessor, the theatrical alternative ending to the Neon Genesis Evangelion series has cemented itself in animation history, and has continued to awe new and returning audiences with every viewing.

The End of Evangelion

Synopsis: This final movie version was created as an alternative ending to the Neon Geneisis Evangelion TV series, remaking the final two episodes from the series.

SEELE plans an attack on NERV after failing to create a man-made Third Impact. After reaffirming both her own and her mother’s existence in a state of despair, Asuka returns and begins the counterattack. However, new enemies descend from the heavens. Meanwhile, Shinji witnesses the horrifying wreckage of Asuka’s EVA-02 while piloting EVA-01. Mass production models surround EVA-01 and perform a solemn ceremony. What does it mean to complete a human heart?

The End of Evangelion

In 2022, GKIDS released the original twenty-six episode television series, Neon Genesis Evangelion, as well as the films Evangelion:Death (True)2 and The End of Evangelion on Blu-ray and digital download-to-own for the first time in North America. In 2022, GKIDS released the fourth and final installment of the new theatrical “Rebuild” editions of the Evangelion franchise, Evangelion:3.0+1.11 Thrice Upon a Time, in theaters and on Blu-ray and digital download-to-own. GKIDS also handles North American distribution for Anno’s prior series NADIA: The Secret of Blue Water.

Tickets and more info on The End of Evangelion viewing options in NorAm available at gkids.com/EOE.

Robert Morgan Discusses the Inspirations and Challenges of His Hand-Crafted Horror Movie ‘Stopmotion’

Stopmotion

In director Robert Morgan’s new feature film Stopmotion, a talented stop-motion animator becomes consumed by the grotesque world of her horrifying creations — with deadly results. The movie, which mixes stop-motion and live-action and stars Tom York, Carolinn Springall, Stella Gonet and Therica Wilson-Read, will be released by IFC Films in select theaters this Friday and will debut on Shudder in May.

The BAFTA-nominated filmmaker (Bobby Yeah, The Cat with Hands) explains that as a kid, he found stop-motion animation “disturbing and frightening.” As he told EW.com, “I’ve never thought that stop-motion is a cutesy kid thing … I’ve always thought it was an uncanny, slightly occult process, building little puppets and then doing this strange ritual on them which brings them to life.”

We were thrilled when the U.K.-based Morgan answered a few of our questions via email recently. Here is what he told Animation Magazine about his haunting new movie.

Robert Morgan
Robert Morgan

Animation Magazine: Congrats on the amazing movie, Robert. Can you tell us about your inspirations for this story?

Robert Morgan: I have a background in stop-motion animation. The initial idea was to make a film that features a stop-motion animator as the lead character, as I’d never seen stop motion depicted as a vocation in a film before. The other inspiration was an experience I had when I was making a short film (Bobby Yeah) where project sort of took on a life of its own and I had the sensation that I didn’t really have much say in what it was going to be. It was as if the film had its own consciousness … These two ideas formed the basis of Stopmotion.

 

When did you start working on the movie and how long did it take to complete?

I started writing it properly around 2012 with my good friend, Robin King. Robin also has experience in stop-motion animation so he totally understood the concept and he was invaluable in shaping it into a coherent story. We were both working on other things in the meantime so the film probably took around five years to write because we kept stopping and starting. Then it took another five years or so to get the financing to make it (plus COVID happened in that time and put it on hold for a couple of years). So, it’s been about a 10-year journey! Then, the main live-action shoot was 25 days with some stop motion done in parallel, then a load more stop motion was shot during the editing process. The whole film (pre-production/production/post-production) took about a year.

 

What did you love about the process of making it?

The main thing I loved was the collaborative aspect — working with so many great talented artists from every department — actors, designers, camera department, etc., and seeing their own creativity feed into the film and to watch it slowly come alive.

 

Stopmotion
Inner Demons: Aisling Franciosi (‘The Nightingale’) stars as Ella, a stop-motion animator whose mental health battle after the loss of her overbearing mother brings her art to life in a terrifying new way.

 

What were your biggest challenges?

Time and money is always the biggest challenge. Getting everything done in the timeframe, and having to make very quick decisions about what to compromise on and what not to compromise on.

 

What do you love about the medium of animation, especially stop motion?

I love its tactile, hand-made feeling. And I love how it feels like an occult art. Bringing inanimate objects to life is stop motion’s unique quality. This is what I love about it.

 

What is the creepiest movie you have ever seen?

That’s a difficult question, there are so many. There’s this relatively obscure underground horror film called The Last House on Dead End Street, which really gives me the creeps. It feels like it was made by genuinely dangerous people and it really has the quality of a nightmare. It’s another film about filmmaking and in some distant way it sort of influenced Stopmotion, but my film is way more safe-feeling than that one!

 

Stopmotion

 

Who are some of your animation idols?

Jan Švankmajer, Walerian Borowczyk, Charley Bowers, Ladislas Starevich, Roland Topor (although Topor wasn’t an animator, he did — among many other things — design for animation and his work was always amazing).

 

What do you hope audiences take away from the movie?

I just hope they have a memorable experience that stays with them. I like to be haunted by films, so this would be my hope — that it continues to rattle around in people brains after they’ve seen it.

 

What is the most memorable reaction you have got to the movie so far?

I heard that a member of the audience fainted during a screening at Sitges Film Festival and an ambulance had to be called. That’s quite memorable.

 

Stopmotion

 

What is your take on the state of animation in 2023-2024?

Honestly, I don’t pay that much attention to the current state of things. I mostly watch older films. Stop-motion seems to be in a very healthy place though.

 

What’s your next project?

I’m currently writing a couple of things, but it’s too early to talk about it!

 


Stopmotion opens in theaters through IFC Films on Friday, February 23. The film will be available to stream on Shudder later this year.

ifcfilms.com

 

Critically Acclaimed Antarctic Anime ‘A Place Further than the Universe’ Gets Collector’s Blu-ray Set

A Place Further than the Universe box

Fans can take home a feel-good, slice-of-life anime in a deluxe new set this spring, when Anime Unlimited and Shout! Studios release A Place Further than the Universe Collector’s Edition in North America on April 22. Produced by Madhouse (Perfect Blue, Death Note, Hunter x Hunter), the series has won over fans and critics by capturing the spirit of youth through beautiful animation, charming characters and an incredible adventure to the ends of the Earth.

The series follows the journey of four girls in their travels to Antarctica and is directed by Atsuko Ishizuka (Goodbye, Don Glees!; No Game No Life), with script and series composition by Jukki Hanada (Steins;Gate, Love Live! Superstar!!). The lauded original anime drama won the hearts of coming-of-age enthusiasts, as well as the 2019 Anime Trending award for Anime of the Year.

Pre-orders are now open through shoutfactory.com and select participating online stores.

Synopsis: Scenery that we have never seen. Sounds that we have never heard. Scents that we have never smelled. Food that we have never tasted. And the surge of emotion that we have never experienced. This is the expedition of recollecting the pieces torn apart and sensation left alone. When we reach that place, what will we think?

Howling, 40 degree angle. Raging, 50 degree angle. Shouting, 60 degree angle. A wilderness beyond the heavy sea. The furthest south, far from civilization. At the top of the Earth. We will find lights through the girls’ eyes to live tomorrow.

For the Collector’s Edition, the full series of A Place Further than the Universe is presented in both the Japanese version and an all-new English dub available for the first time ever in home video. The set is packaged in a slipcase housing all 13 episodes on two Blu-ray discs, accompanied by:

  • Two CDs of the original soundtrack
  • Four art cards
  • 11.7” x 16.5” poster
  • 92-page booklet
  • On-disc extras include clean openingclean ending and Making of the English dub featurette

Anime Limited’s English version dub cast features the voices of Xanthe Huynh (Ryoma! The Prince of Tennis, Edens Zero), Ama Lee (One Piece Film: Red, Attack on Titan), Kayli Mills (Cyberpunk: Edgerunners, The Seven Deadly Sins), Erica Mendez (Demon Slayer: Kimetsu No Yaiba, Suzume), Daisy Guevara (Yu-Gi-Oh! Sevens, Brok the Investigator), Cassandra Lee Morris (Barbie: A Touch of Magic, My Hero Academia), Caitlyn Elizabeth (Little Witch Academia, Super Mario Bros. Wonder), Morgan Lauré (My Hero Academia, Death Parade), Cristina Vee (Sailor Moon, Miraculous Ladybug), among others.

A Place Further than the Universe full set

CG Pre-K Series ‘Chums’ from Indigenous Creators Renewed for S2

Eric Jackson of Saskatoon’s Paxolotl Media Inc. and Leslea Mair of Winnipeg’s Zoot Pictures, announced today that Chums, a new 3D-animated series currently in production for preschoolers aged 3-6, has been renewed for a second season of 9 x 30’ episodes by broadcasters APTN and Citytv Saskatchewan. The first season of the series is slated to premiere this Spring, and will also be available for streaming on APTN lumi.

Additionally, Franco-Ontarian network TFO has also come on board to broadcast a French-language version of both Season 1 and 2 of Chums.

The series producers will soon introduce Chums to the festival circuit, planning an official selection premiere at the 11th Māoriland Film Festival in Otaki, New Zealand (March 20-24). The festival showcases new Indigenous film and television productions from around the world.

Synopsis: In the world of Chums, a young Eaglet named Ira and her rag tag group of furry friends on Turtle Island are discovering their relationships to each other and to their environment on Mother Enmmarth. Ira’s group of “Chums” — friends — includes Flies with Eagles, a young girl who is always willing to help; Emiree, a baby beaver with the softest heart; Romper, a rabbit that has trouble paying attention; and Pterry, a ptarmigan who wishes he could fly better. Our newfound chums take it upon themselves to be the explorers of Turtle Island, and to discover and learn about the world around them.

The show  is designed to encourage the discovery of traditional Indigenous relationships to the animals and environment around us. It is being produced in four languages — English, Cree, Ojibwe and French — with the aim of encouraging Indigenous languages for children. The show is formatted for lip synching and versioning the characters into various languages.

Chums director and co-writer Dennis Jackson created the popular stop-motion kids’ series Wapos Bay, which aired between 2005 and 2011 in Canada on APTN and in the U.S. on the First Nations Experience Network (FNX). A collaboration between Dennis and his son Eric (co-writer and producer of Chums), the new series features an Indigenous creative team and cast. For many of the Indigenous kids voicing the animated characters, this is their first acting break.

The production partnership between Paxolotl Media and Zoot Pictures includes a mentoring element with the goal of helping develop more Indigenous production companies in Canada/Turtle Island.

Chums also marks the creation of a new animation studio based in the Canadian Prairies. The producers have assembled a team of talented people from across the two provinces of Saskatchewan and Manitoba. The project offers experience to under-represented cast and tech people in the film and television industry and acts as an important vehicle for training. Junior animators have been paired with experienced veterans as part of a multi-year program to train Indigenous animators, modellers and riggers.

“It’s great to receive this vote of confidence from our broadcast partners APTN and Citytv Saskatchewan to go forward with a second season,” said producer/co-writer Eric Jackson of Paxolotl Media. “As I’ve said before, creating an entirely new animation studio in the Prairies with my dad and my kids makes this a pretty unique thing for all of us. Not just now, but for the future if they follow in our footsteps to continue creating Indigenous stories.”

Exec producer Leslea Mair of Zoot Pictures adds, “We’re also really delighted that TFO has come on board to broadcast Chums. The show is an exciting, innovative project is so many ways, and we’re pleased that French-speaking kids and families will also get a chance to tune in and enjoy the adventures of Ira and her furry friends.”

Chums is written by Eric and Dennis Jackson, as well as by Justina Neepin, directed by Dennis Jackson, produced by Paxolotl Media’s Eric Jackson, and executive produced by Zoot Pictures’ Leslea Mair. Art director is Stephanie Boulet. Tech design is by Frank Digital.

The series is produced by Paxolotl Media and Zoot Pictures in association with APTN and Citytv Saskatchewan. It was developed with APTN, the Canada Media Fund and the Indigenous Screen Office, and is produced with the participation of the Shaw Rocket Fund, the Canada Media Fund, the Canadian Film or Video Production Tax Credit, the Manitoba Provincial Tax Credit, the Saskatchewan Feature Film and Television Production Grant Program and the Indigenous Screen Office.

zootpictures.com

Sky Kids Slates Animated Originals ‘Happy Town’ with Mel B and ‘Let’s Go, Bananas!’

Sky Kids has unveiled two new animated Sky Original series coming to the channel later this year. Happy Town (50 x 7′) and Let’s Go, Bananas! (52 x 11′) are two of the new original and exclusive titles coming to Sky in 2024 revealed in the channel’s UP NEXT announcements.

Narrated by Mel B of Spice Girls fame, Happy Town follows the problem-solving adventures of an adorable hedgehog and ladybird best friend duo, Pep and Tabitha, in a charming and unique community. The brightness of the light in Happy Town depends on the townsfolks glee, so each time it starts to fizz out, the duo set out on a mission to make the sign shine bright again by helping others and encouraging everyone to help each other, too.

Mel B
Mel B [c/o Sky]
“This is a huge moment for me to be the voice of Happy Town for Sky Kids — my first time ever as a narrator,” said Mel B. “I’ve actually spent years looking for the perfect children’s show to get involved with because I’m a mum of three and I strongly believe that little ones learn so much through brilliant, colorful, creative storytelling. Happy Town is all about kindness and community and a cute ladybird and hedgehog duo who make it their mission to help people. I’m totally in love with this gorgeous Sky Kids show. At its heart is fun, adventure and great entertainment — just like me, really!”

The series was commissioned by Lucy Murphy, Director of Kids Content, for Zai Bennett, Managing Director of Content for Sky and Ireland. The commissioning editor for Sky is Ian France. The series is produced by Happy Town Productions; James Fox is creator and director; Dominic Buttimore is producer.

Let's Go, Bananas!

The fast-paced animated comedy series Let’s Go, Bananas! created and written by Tim Bain (Bluey, PJ Masks), focuses on a community of three sweet and silly neighboring animal families who share each other’s triumphs, dramas and completely bananas lives. The show is a feel-good celebration of different family structures, and all the wonderful chaos, joy and messy moments which will be recognized by young viewers and their own families.

“Full of positivity and encouraging creative thinking, Happy Town is a burst of color and joy which is completely encapsulated in the brilliant Mel B’s warm and engaging narration,” said Sky Kids’ Murphy. “And we’re delighted to be working with Tim Bain on the hilarious Let’s Go Bananas, which shows kids that family is what you make it.”

Let’s Go, Bananas! was also commissioned by Murphy for Bennett. The executive producer for Sky Kids is Lisa Mackintosh. The series is produced by 9 Story Media Group and Brown Bag Films; Sonia Santarelli is producer.

Viva Kids Brings ‘Emma’s Big Adventure’ to U.S. Screens

Indie distributor Viva Pictures (The Amazing Maurice, Inspector Sun; upcoming Dragonkeeper, Niko – Beyond the Northern Lights), has signed a distribution agreement with Gold Valley Films, represented by producer Allen Tsang, for the animated family feature Emma’s Big Adventure. The film will enjoy a U.S. release through the Viva Kids label.

Gold Valley and Viva previously partnered to bring the Terry Pratchett adaptation The Amazing Maurice to U.S. screens. That project was produced and written by Robert Chandler, who serves as creative producer for Emma’s Big Adventure.

The magical fantasy-adventure film follows the journey of a very tiny girl called Emma. As the only human living in a world of animals, Emma challenges societal norms as she seeks her true identity. Viva Kids believes that the narrative, centered on breaking barriers and fostering friendship, resonates profoundly with today’s American audience, making it a perfect fit for families and children to enjoy in theaters everywhere.

“We couldn’t be more excited to embark on this magical journey with Emma,” said Victor Elizalde, President at Viva Kids. “The film’s themes of courage, self-discovery, and embracing diversity align seamlessly with our vision to deliver compelling and heartwarming stories to audiences of all ages.”

Tsang added, “Victor and I have been good friends for many years, and we’ve known each other since I entered this industry. We’ve always been exploring possibilities for collaboration, and I’m delighted to finally initiate a partnership with Viva Pictures. Their commitment to presenting high-quality stories to audiences aligns perfectly with the essence of Emma’s Big Adventure. We believe this collaboration will bring joy and inspiration to North American audiences and set the stage for our long-term partnership in the future.”

vivafilmco.com

‘The Bravest Knight’ Trains for S2 Return with Jane Lynch, Alan Cumming Joining

Hulu’s first original kids’ animated series is preparing to return with Season 2 of The Bravest Knight, produced by Big Bad Boo Studios. Emmy- and Golden Globe-nominated, GLAAD Media Award-winning actor Alan Cumming (The Good Wife, My Father’s Dragon) and five-time Emmy winner and Golden Globe winner Jane Lynch (Glee, Wreck-It Ralph) are joining the voice cast for the recently renewed show, which debuted in 2019. The show is broadcast by CBC Kids in Canada.

A pioneering show for LGBTQ+ representation in kids’ television and winner of the GLAAD Media Award for Outstanding Kids’ & Family Programming in 2020, The Bravest Knight unfolds as Sir Cedric — a former pumpkin farmer turned knight, now grown up and married to the prince of his dreams — shares the story of his transformative journey with his 10-year-old adopted daughter, Nia. Through his stories, Nia, who is herself training to become a knight, learned important chivalric values such as honor, justice and compassion.

Created by Daniel Errico and directed by Big Bad Boo’s Shabnam Rezaei, The Bravest Knight features the voices of T.R. Knight as Sir Cedric; Bobby Moynihan as young Cedric’s troll sidekick, Grunt; and Storm Reid as Nia (Season 1), now played by Millie Davis in Season 2.

In Season 2, young Cedric and Grunt will continue their travels into a fantasy kingdom. Lynch will be voicing a vegetarian ogre named Lug Lug, while Cumming plays the pompous, scheming Sheriff Reginald. Returning from Season 1 will be Wilson Cruz as Prince Andrew, Christine Baranski as the Red Dragon. Teri Polo plays the messenger raven, Saylor, and Steven Weber is the Head Knight. Season 1 guest stars included LGBTQ+ icons such as RuPaul, Wanda Sykes and Jazz Jennings.

[Source: Variety]

Annecy Welcomes Wes Anderson for Exclusive Masterclass, Screenings of ‘Fantastic Mr. Fox’ & ‘Isle of Dogs’

Despite being in the middle of shooting his next film, The Phoenician Scheme, eight-time Academy Award-nominated filmmaker Wes Anderson (The Grand Budapest HotelThe French Dispatch) has been announced as a special guest of the 2024 Annecy International Animation Film Festival (June 9-15). The director won the feature film Cristal and Audience Awards in 2010 for his stop-motion film Fantastic Mr. Fox and the festival’s Commissioned Film Jury Award for the “Aline” music video from The French Dispatch in 2022.

“Over the last decade, Wes Anderson has had an incredible influence on the revival of stop-motion animation,” said the festival’s Artistic Director, Marcel Jean. “His intricate, theatrical style and his sophisticated, holistic approach to directing have set an example and inspired a score of young filmmakers. His visit to Annecy will mark a long love story and admiration for his work. For us, this is an immense gift to offer our festivalgoers!”

Here’s what Annecy is planning to celebrate Anderson’s work:

Fantastic Mr. Fox | Isle of Dogs
Fantastic Mr. Fox | Isle of Dogs

Fantastic Mr. FoxIsle of Dogs Return to the Big Screen

A virtuoso director with a unique sense of humor, Wes Anderson brings a highly personal visual style and universe to each of his films, which are instantly recognizable by their lavish sets and vibrant colors.

In 2010, Wes Anderson branched out into animation and directed Fantastic Mr. Fox, a stop-motion feature film adapted from Roald Dahl’s book of the same name. Annecy rewarded his talent with the Cristal for a Feature Film. Eight years later, he directed Isle of Dogs, a tribute to Japanese culture and film.

Both these feature films will be screened at Annecy in June.

Exclusive Masterclass

Aside the pleasure of being able to discover or rediscover his films, some festivalgoers will have the privilege of attending an exclusive Masterclass!

Wes Anderson is a source of inspiration for many young filmmakers. He will discuss his approach to animation film, especially stop-motion animation and his directorial vision.

 

More information will be available soon.

annecyfestival.com

Watch: Prime Video Sneak Peeks ‘The Second Best Hospital in the Galaxy’ in New Clip

This week, a new out-of-this-world medical is paging viewers to Prime Video: From Emmy-winning creator Cirocco Dunlap and Maya Rudolph, Danielle Renfrew Behrens and Natasha Lyonne’s Animal Pictures, The Second Best Hospital in the Galaxy premieres February 23, introducing viewers to Dr. Sleech and Dr. Klak — intergalactically renowned surgeons and best friends, working together to tackle any malady the cosmos throw at them.

In a new exclusive clip shared with Animation Magazine, we get an advance look at the premiere episode. The excerpt features Dr. Klak (Keke Palmer), Dr. Sleech (Stephanie Hsu), Dr. Vlam (Maya Rudolph) and Dr. Plowp (Kieran Culkin). In Season 1, doctors Sleech and Klak take on a highly dangerous and potentially groundbreaking case and, in doing so, put existence itself in jeopardy. (Although considering their dismal personal lives, oblivion might be an improvement.)

The series is produced by Amazon MGM Studios, with animation by Titmouse Studios, and is under a two-season order from Prime Video, which will stream The Second Best Hospital in the Galaxy in more than 240 countries and territories worldwide.

Series creator Dunlap also serves as showrunner, writer and executive producer along with executive producers Rudolph, Behrens and Lyonne for Animal Pictures. Shauna McGarry, Shannon Prynoski, Chris Prynoski, Antonio Canobbio and Ben Kalina from Titmouse executive produce. Artist and animator Robin Eisenberg is co-producer and production designer.

Sneak Peek: French Producer Marc du Pontavice Gives Us the Scoop on His New Movie ‘Lucy Lost’

0

We recently had the chance to catch up with Marc du Pontavice, founder of French animation studio Xilam (founded in 1999) and producer of the Oscar-nominated feature I Lost My Body and popular shows such as Oggie and the Cockroaches, Mr Magoo, Zig and Sharko and Chip ‘N’ Dale: Park Life. His new project Lucy Lost, an animated feature based on award-winning author Michael Morpurgo’s Listen to the Moon, which will be showcased at next month’s Cartoon Movie event in France.

The period pic centers on Lucy, lively child with extraordinary faculties, which makes her look out of place amongst the fishermen of the Isles of Scilly. But all the care and affection she gets from Alfie and his family can’t shelter her from the rumors and superstitions that she unknowingly stirs up. When Lucy meets Milly, a mysterious girl, she embarks on an incredible race in pursuit of her true origins.

Here is what the veteran French animation figure shared with us about his new movie:

Animag: Can you tell us a bit about how Xilam became involved in Lucy Lost

Marc du PontaviceMarc du Pontavice: I first read Michael Morpurgo’s (War Horse) best-selling mystery novel Listen to the Moon – which Lucy Lost is adapted from – back in 2017 and instantly fell in love with the story. It’s a captivating novel that weaves together themes of family, love and memory against a backdrop of vivid landscapes, which I knew would translate beautifully to the screen.

From there, we picked up the rights and got going on development. Initially, we were adapting the book into a TV miniseries but then in 2022 I met the director, Olivier Clert, whose vision for the project convinced me to pivot to making it into a theatrical movie.

What do you love about the original book and why did you believe it would make a great animated movie?

Lucy LostThis is a story of mystery and resilience. This is about dealing with a wounded memory and finding your place as a stranger in a suspicious community. In other words, it’s a very rich story thematic-wise, led by a fragile yet courageous child in a world that is constantly moving between colorful fantasy and harsh reality.

What were your biggest challenges as you set out to realize this project?

Proving that when it comes to family movies, the western animation industry is not just about comedy — animation is a medium through which heartfelt, dramatic and captivating stories can be explored and brought to a large international audience.

Where is the animation being produced? Can you tell us more about visual style?

At our animation studio in France – it will be fully animated in a mix of 2D and 3D. We’d like to propose a clear style that is rich and visually pleasing. Our aim is to find a balance between the efficiency that is found within Japanese animation (such as Myazaki, Hosoda and Shinkai), and a slightly graphic and pictorial approach that is specific to illustration and painting, which can be seen in movies like Cartoon Saloon’s Song of the Sea. 

Lucy Lost
Xilam Films’ “Lucy Lost” debuts at Cartoon Movie in March.

What do you hope audiences will take away from the movie?

A desire to reach out and connect with others, and to consider our differences with understanding and kindness. I also hope it will offer audiences a sense of optimism and give them the self-confidence to overcome difficulties and traumas.

What is your take on the state of global feature animation scene in 2024?

There is a growing demand for storytelling and a visual approach that is less formulaic and offers something unexpected. Yet to meet this demand, there needs to be significant investment and commitment to exploring animation projects beyond the traditional and expected CGI comedy genre. We can only hope that the precedent created by Myazaki with The Boy and the Heron, and the remarkable success this film has had on the global stage, will inspire the decision makers.

F

Lucy Lost
Lucy Lost, courtesy of Xilam Films

For more info, visit xilam.com.

Moonbug’s ‘Morphle and the Magic Pets’ to Start Their Mischief on Disney Outlets in March

Moonbug Entertainment and Disney’s new animated series Morphle and the Magic Pets will unleash their special brand of mischief on Disney Junior and Disney+ next month. Deadline reports that the CG-animated series will premiere on the Mouse outlets in the U.S. on March 20 and will debut globally at a later date this year.

The new show is based on Arthur van Merwijk’s My Magic Pet Morphle and co-developed by Mark Palmer (Hello Ninja) and consulting producer Jill Sanford (Go! Go! Cory Carson). Nick Confalone (Helpsters) is the show’s story editor. The first season of the show has 52 seven-minute shows and 50 three-minute shorts.

The series follows the adventures of Mila and her stepbrother, Jordie, as they leap into a world of adventure with the help of Morphle, Mila’s magical and loyal pet who has the power to morph into whatever she imagines. The three central characters use their skills and smarts to keep magic pets out of mischief, solve problems and find ‘magic matches’ for each newcomer.

Candle Media-owned Moonbug is best known for YouTube hits such as CoComelon and Blippi. Morphle and the Magic Pets began as short-form three-minute YouTube series, Morphle.

Watch the original short-form series below:

Source: Deadline.com

‘The Boy and Heron,’ ‘Crab Day’ & ‘Poor Things’ Win the 2024 Animation & VFX BAFTAs

0

Hayao Miyazaki’s The Boy and the Heron and Yorgos Langthimos’ Poor Things were two of the top winners at last night’s 2024 BAFTA Film Awards, hosted by David Tennant at The Royal Festival Hall in London. Miyazaki’s acclaimed feature beat Aardman’s Chicken Run: Dawn of The Nugget, Disney/Pixar’s Elemental and Sony Pictures Animation’s Spider-Man: Across the Spider-Verse for best animated film. The Boy and Heron became the first Japanese production to win the Best Animated Feature BAFTA and it also marked the first BAFTA win for Hayao Miyazaki, who turned 83 last year.

Yorgos Langthimos’ Poor Things won the BAFTA for Best Visual Effects. The other nominees were 20th Century Studios’ The Creator, Marvel Studios’ Guardians of the Galaxy Vol. 3, Paramount Pictures’ Mission: Impossible – Dead Reckoning Part One, and Columbia Pictures’ Napoleon.

Crab Day by Bart Stanislawek, Ross Stringer and Aleksander Sykulak took home the BAFTA for the Best Animated Short, beating the other nominees Wild Summon (by Karni Arieli, Saul Freed and Jay Woolley) and Visible Mending by Samantha Moore and Tilley Bancroft.

Watch below:

You can read our interview with the director Ross Stringer here and watch the short below:

 

Sony’s ‘Spider-Verse’ and Netflix’s ‘Blue Eye Samurai’ Sweep the Annies; ‘Robot Dreams’ Wins Best Indie Prize

0

The animation community showered Sony Picture Animation’s Spider-Man: Across the Spider-Verse, Pablo Berger’s Robot Dreams and Netflix’s Blue Eye Samurai with a lot of love at the 51st edition of the Annie Awards on Saturday night.

Spider-Verse, which has been going head to head with Hayao Miyazaki’s acclaimed hit The Boy and the Heron during the award season, ended up winning most of the major awards, with seven Annie nods (Best Studio Feature, Direction, Character Design, Effects, Music, Production Design and Editorial). The Boy and the Heron won two Annies, one for Best Storyboards (Miyazaki) and another one for Best Character Animation (Takeshi Honda). Spanish writer-director Pablo Berger took home the Annie for Best Independent Feature Annie for his charming underdog movie Robot Dreams, which was produced by his start-up studio Arcadia Motion Picture and has been picked up by Neon, with a late spring release date. Netflix’s Nimona, which was another popular title, also took home two Annies, for Voice Acting (Chloë Grace Moretz as Nimona) and for Best Writing (Robert L. Baird, Lloyd Taylor).

On the TV/Streaming side, Blue Eye Samurai was the clear champion of the night. The Blue Spirit-Netflix series won six Annies (Best Mature TV Media, effects, character animation, production design, writing and editing). Set in 17th century Edo period Japan, the beautifully animated 2D French-American series was created by wife and husband team Amber Noizumi and Micheal Green, with supervising director and producer Jane Wu. It debuted in November 2023 to top reviews, and it has been renewed for a second season.  Disney+’s Star Wars: Visions was another favorite. Cartoon Saloon co-founder Paul Young won the Best TV Direction Annie for the episode “Screechers Reach,” while Markus Wormstorm, Nadia Darries and Dineo du Toit won for Best Music for the episode “Aau’s Song.”

Annie Awards 2024
Star Wars Visions: “Screechers Reach”

Here is the complete list of this year’s Annie winners (winning title is in bold).

2024 Annie Awards Winners & Nominees

BEST FEATURE

  • Nimona – Annapurna Animation for Netflix
  • WINNER: Spider-Man: Across the Spider-Verse– Sony Pictures Animation
  • Suzume – CoMix Wave Films Inc. and STORY inc.
  • Teenage Mutant Ninja Turtles: Mutant Mayhem – Paramount Pictures and Nickelodeon Movies
  • The Boy and the Heron– Studio Ghibli / Distributed by GKIDS

BEST FEATURE-INDEPENDENT

  • Ernest & Celestine: A Trip to Gibberitia– Folivari, Mélusine Productions, Studio Canal / Distributed by GKIDS
  • Four Souls of Coyote– Cinemon Entertainment
  • WINNER: Robot Dreams– Arcadia Motion Pictures
  • The Inventor– Curiosity Studios
  • White Plastic Sky– SALTO Films & Artichoke

BEST SPECIAL PRODUCTION

  • Invincible: Atom Eve – Amazon MGM Studios, Skybound Entertainment
  • Shape Island: The Winter Blues– Bix Pix Entertainment in association with Apple
  • WINNER: Snoopy Presents: One-of-a-Kind Marcie – WildBrain Studios in association with Apple
  • The Smeds and The Smoos– Magic Light Pictures
  • The Velveteen Rabbit– Magic Light Pictures in association with Apple

BEST SHORT SUBJECT

  • Carne de Dios– Ojo Raro & Fedora Productions
  • Daffy in Wackyland– Warner Bros. Animation
  • Humo – Outik Animation, 3rd Street Video, Mindsoup Entertainment, IMCINE
  • Pina– Punchline Cinema / Next Days Films
  • WINNER: War Is Over! Inspired by the Music of John & Yoko– ElectroLeague
Annie Awards 2024
War is Over! Inspired by the Music of John and Yoko

BEST SPONSORED

  • WINNER: “Video Games” by Tenacious D – Pinreel Inc.
  • Alzheimer’s Research UK “Change The Ending” – Passion Pictures
  • “Laugh Track” by The National (featuring Phoebe Bridgers) – Bernard Derriman
  • WWF “Up in Smoke” – NOMINT

BEST TV/MEDIA – PRESCHOOL

  • Batwheels“To the Batmobile!” – Warner Bros. Animation
  • WINNER: Ghee Happy “Navagraha” – Ghee Happy Studio
  • Playdate with Winnie the Pooh“Piglet, Tigger and the Cardboard Box” – Oddbot Inc.
  • StoryBots: Answer Time“Fractions” – JibJab Bros. Studios for Netflix
  • The Creature Cases“The Forest Food Bandit” – Silvergate Media/Team TO/Choice/Provisions/Netflix

BEST TV/MEDIA – CHILDREN

  • Curses!“The Baboon Temple” – DreamWorks Animation
  • WINNER: Hilda “Chapter 8: The Fairy Isle” – Hilda Productions Limited, a Silvergate Media Company, Netflix Inc. and Mercury Filmworks
  • Marvel’s Moon Girl and Devil Dinosaur “The Beyonder” – Flying Bark Productions / Disney Television Animation
  • My Dad the Bounty Hunter“Bizarre Ride” – A Netflix Series
  • Shape Island“Square’s Special Place” – Bix Pix Entertainment in association with Apple
Annie Awards 2024
Hilda: Chapter 8: The Fairy Isle

BEST TV/MEDIA – MATURE

  • Big Mouth “The International Show” – Netflix
  • WINNER: Blue Eye Samurai “Pilot: Hammerscale” – A Netflix Series / 3 Arts Entertainment and Blue Spirit Productions
  • Bob’s Burgers “Amelia” – 20th Television Animation
  • Scavengers Reign “The Signal” – Max in association with Titmouse Animation and Green Street
  • Tomato Kitchen –Special Production – Bilibili / Studio Reflection

BEST TV/MEDIA – LIMITED SERIES

  • WINNER: Kizazi Moto: Generation Fire –“Enkai” – Triggerfish Animation Studio & Blinkink
  • Only You: An Animated Shorts Collection– “Yellowbird” – Afterman production in association with Max/Warner Bros. Discovery
  • Pokémon: Path to the Peak– “Episode: 1” – The Pokémon Company International

BEST STUDENT FILM

  • From The Top– Student Director: Rich Farris – Student Producer: Martina Buendia Silva – School: National Film and Television School
  • Kolaj– Student Director: Besen Dilek – Student Producer: Besen Dilek – School: Filmakademie Baden-Württemberg GmbH
  • La quête de l’humain– Student Team: Mélina Ienco, Lucie Juric, Caroline Leibel, Faustine Merle, Claire Pellet – School: Gobelins, l’école de l’image
  • Quem Salva – Student Team: Laure Devin, Maxime Bourstin, Nathan Medam, Charles Hechinger, Titouan Jaouen – School: Supinfocom Rubika
  • WINNER: The Little Poet– Student Director: Justine King – Student Producer: Justine King – School: California Institute of the Arts

BEST FX – TV/MEDIA

  • WINNER: Blue Eye Samurai “All Evil Dreams and Angry Words” – Production Company: A Netflix Series / 3 Arts Entertainment and Blue Spirit Productions – FX Production Company: Blue Spirit — Thomas Decaens, Karl Burtin, Laurent Bretonniere
  • Kizazi Moto: Generation Fire“Moremi” – Production Company: Triggerfish for Disney+ – FX Production Company: Lucan — Matthew Dunwoody, Dmitry Sarkisov, Podchasha Yuri Anatolyevich, Richard Bothma, Emile Van Straaten
  • Star Wars: Visions“Sith” – Production Company: Lucasfilm Ltd. – FX Production Company: El Guiri Studios — Jonatan Catalán, Alberto Sánchez, Phoebe Arjona, Virginia Cantaro, Rubén Hinarejos
  • The Bad Guys: A Very Bad Holiday – Production Company: DreamWorks Animation – FX Production Company: DreamWorks Animation and 88 Pictures — Sateesh Malla, Russell Richardson Jr., Akash Gopal, Basavaraj P, Kevin Rumold
  • What If…?– “What If…Kahhori Reshaped the World?” – Production Company: Marvel Studios – FX Production Company: SDFX Studios — Ryan Barringer, Rajkumar Gurudu, Bipin Kumar Patra, Pranil Ravindra Mahajan

BEST FX – FEATURE

  • Chicken Run: Dawn of the Nugget– Production Company: Netflix Presents An Aardman Production – FX Production Company: Aardman Production — Charles Copping, Jon Biggins, Jim Lewis, Rich Spence, Martin Lipmann
  • Elemental – Production Company: Pixar Animation Studios – FX Production Company: Pixar Animation Studios — Chris Chapman, Tim Speltz, Krzysztof Rost, Amit Baadkar, Ravindra Dwivedi
  • WINNER: Spider-Man: Across the Spider-Verse– Production Company: Sony Pictures Animation – FX Production Company: Sony Pictures Imageworks — Pav Grochola, Filippo Maccari, Naoki Kato, Nicola Finizio, Edmond Boulet-Gilly
  • Suzume– Production Company: CoMix Wave Films Inc. and STORY inc. – FX Production Company: CoMix Wave Films Inc. and STORY inc. — Yoshitaka Takeuchi, Hiroyuki Seshita
  • The Peasants– Production Company: Breakthru Films – FX Production Company: Breakthru Productions — Lukasz Mackiewicz, Kamil Polak

BEST CHARACTER ANIMATION – TV/MEDIA

  • Adventure Time: Fionna and Cake– “The Winter King” – Cartoon Network Studios — Alex Small-Butera
  • WINNER: Blue Eye Samurai Episodes 101, 104 and 106 – A Netflix Series / 3 Arts Entertainment and Blue Spirit Productions — Alex Bard
  • Kizazi Moto: Generation Fire“Moremi,” “Surf Sangoma,” “Stardust” – Triggerfish Animation for Disney+ — Andre DeVilliers
  • Star Wars: Visions “I Am Your Mother” – Lucasfilm Ltd. — Laurie Sitzia
  • The Amazing Digital Circus Pilot – Glitch Productions — Kevin Temmer

BEST CHARACTER ANIMATION – FEATURE

  • Elemental– Pixar Animation Studios — Jessica Torres
  • Nimona– Annapurna Animation for Netflix — Toby Seale
  • Ruby Gillman, Teenage Kraken– DreamWorks Animation — Prashanth Cavale
  • Suzume– CoMix Wave Films Inc. and STORY inc. — Kenichi Tsuchiya
  • WINNER:  The Boy and the Heron – Studio Ghibli / Distributed by GKIDS — Takeshi Honda

BEST CHARACTER ANIMATION – LIVE ACTION

  • Ahsoka– Production Company: Lucasfilm – FX Production Company: Industrial Light & Magic — Rick O’Connor, Mike Beaulieu, Stewart Alves, Kevin Reuter, Wai Kit Wan
  • Cocaine Bear– Production Company: Wētā FX – FX Production Company: Wētā FX — Carmelo Leggiero, Steve Braggs, Kevin Kelm, Cedric Enriquez Canlas, Kane Elferink
  • WINNER: Guardians of the Galaxy Vol. 3– Production Company: Marvel Studios – FX Production Company: Framestore — Fernando Herrera, Chris Hurtt, Nathan McConnel, Daniel Cabral, Chris McGaw
  • The Little Mermaid – Production Company: Walt Disney Studios Motion Pictures – FX Production Company: Framestore — Pablo Grillo, Kayn Garcia, Ferran Casas, Stuart Ellis, Joseph Lewis
  • Transformers: Rise of the Beasts– Production Company: Wētā FX – FX Production Company: Wētā FX — Kevin Estey, Kai-Hua Lan, Blaine Toderian Toderian, Richard John Moore, Joseph C.K Leong

BEST CHARACTER ANIMATION – VIDEO GAME

  • Atomic Heart– Mundfish — Mundfish Animation Team
  • Hogwarts Legacy– Avalanche Software ○ Tara Edwards Let’s! Revolution! – BUCK — BUCK Animation Team
  • WINNER: Marvel’s Spider-Man 2– Insomniac Games — Insomniac Games Animation Team
  • Teslagrad 2– Rain Games — Aslak Helgesen

BEST CHARACTER DESIGN – TV/MEDIA 

  • Clone High “Let’s Try This Again” – Max in association with Lord Miller, Doozer, ShadowMachine, and MTV Entertainment — Tara Billinger
  • Jessica’s Big Little World “Bedtime Routine” – Cartoon Network Studios — Nick Winn
  • Kizazi Moto: Generation Fire“ You Give Me Heart” – Triggerfish for Disney+ — Lesego Vorester
  • WINNER: Moon Girl and Devil Dinosaur “The Beyonder” – Disney Television Animation / Cinema Gypsy Productions — Jose Lopez
  • Spirit Rangers“Water Protectors” – Laughing Wild / Netflix — Marie Delmas

BEST CHARACTER DESIGN – FEATURE

  • Elemental– Pixar Animation Studios — Maria Yi
  • Merry Little Batman – Amazon MGM Studios, Warner Bros. Animation, DC Entertainment — Nikolas Ilic
  • Nimona– Annapurna Animation for Netflix — Aidan Sugano
  • Robot Dreams – Arcadia Motion Pictures — Daniel Fernandez Casas
  • WINNER: Spider-Man: Across the Spider-Verse– Sony Pictures Animation — Jesús Alonso Iglesias

BEST DIRECTION – TV/MEDIA

  • Kizazi Moto: Generation Fire“Moremi” – Triggerfish Animation Studio & Lucan Studio — Shofela Coker, Andrew McNally
  • My Dad the Bounty Hunter“Bizarre Ride” – A Netflix Series — Kenji Ono, Kai Akira, Patrick Harpin
  • Pokémon Concierge“What’s on Your Mind, Psyduck?” – dwarf studios for Netflix — Iku Ogawa
  • Scavengers Reign“The Fall” – Max in association with Titmouse Animation and Green Street — Diego Porral
  • WINNER: Star Wars: Visions“Screecher’s Reach” – Lucasfilm Ltd. — Paul Young

BEST DIRECTION – FEATURE

  • Nimona – Annapurna Animation for Netflix — Nick Bruno, Troy Quane
  • Robot Dreams– Arcadia Motion Pictures — Pablo Berger, Benoît Feroumont
  • WINNER: Spider-Man: Across the Spider-Verse – Sony Pictures Animation — Joaquim Dos Santos, Kemp Powers, Justin K. Thompson
  • Teenage Mutant Ninja Turtles: Mutant Mayhem– Paramount Pictures and Nickelodeon Movies — Jeff Rowe, Kyler Spears
  • The Boy and the Heron– Studio Ghibli / Distributed by GKIDS — Hayao Miyazaki 

BEST MUSIC – TV/MEDIA

  • Animaniacs “Talladega Mice” – Warner Brothers Animation/Amblin Entertainment/HULU Originals — Steven Bernstein, Julie Bernstein
  • Babylon 5: The Road Home Special Production – Warner Bros. Animation — Michael McCuistion, Kristopher Carter, Lolita Ritmanis
  • PacemakerShort Film – A Running Commentary — Christopher Lennertz
  • WINNER: Star Wars: Visions “Aau’s Song” – Lucasfilm Ltd. — Markus Wormstorm, Nadia Darries, Dineo du Toit
  • The Smeds and The Smoos Special Production – Magic Light Pictures — René Aubry

BEST MUSIC – FEATURE

  • Elemental – Pixar Animation Studios — Thomas Newman, Ari “LAUV” Leff
  • WINNER: Spider-Man: Across the Spider-Verse – Sony Pictures Animation — Daniel Pemberton, Metro Boomin
  • Suzume – CoMix Wave Films Inc. and STORY inc. — Kazuma Jinnouchi, RADWIMPS
  • Teenage Mutant Ninja Turtles: Mutant Mayhem – Paramount Pictures and Nickelodeon Movies — Trent Reznor, Atticus Ross
  • The Boy and the Heron – Studio Ghibli / Distributed by GKIDS — Joe Hisaishi

BEST PRODUCTION DESIGN – TV/MEDIA

  • WINNER: Blue Eye Samurai “Hammerscale” – Netflix Animation — Jason Scheier
  • Blue Eye Samurai “The Great Fire of 1657” – A Netflix Series / 3 Arts Entertainment and Blue Spirit Productions — Toby Wilson, James Wilson, Emil Mitev
  • Scavengers Reign “The Storm” – Max in association with Titmouse Animation and Green Street — Charles Huettner, Jonathan Djob Nkondo, Pauline Mauvière, Hugo Moreno, Jon Juarez
  • Star Wars: Visions “Sith” – Lucasfilm Ltd. — Carlos Salgado
  • What If…? “What if… Nebula Joined the Nova Corps?” – Marvel Studios — Paul Lasaine, Kristina Vardazaryan, Cynthia Halley, Ryan Magno, Simon Dunsdon

BEST PRODUCTION DESIGN – FEATURE

  • Elemental – Pixar Animation Studios–  Don Shank, Maria Yi, Dan Holland, Jennifer Chang, Laura Meyer
  • Nimona– Annapurna Animation for Netflix — Aidan Sugano, Jeff Turley
  • WINNER: Spider-Man: Across the Spider-Verse– Sony Pictures Animation — Patrick O’Keefe, Dean Gordon
  • Teenage Mutant Ninja Turtles: Mutant Mayhem – Paramount Pictures and Nickelodeon Movies — Yashar Kassai, Arthur, Tiffany Lam
  • The Boy and the Heron – Studio Ghibli / Distributed by GKIDS — Yoji Takeshige

BEST STORYBOARDING – TV/MEDIA

  • Craig Before the Creek – Cartoon Network Studios — Erik Fountain
  • Fright Krewe “The Blood Awakening, Part 1” – DreamWorks Animation — Leah Artwick
  • Gremlins: Secrets of the Mogwai“Never Give Up” – Warner Bros. Animation and Amblin Television — Kristine Lee
  • Kung Fu Panda: The Dragon Knight “Apok-ta-pokalypse Now, Part II” – DreamWorks Animation — Grace Liu
  • WINNER: Moon Girl and Devil Dinosaur “Run the Rink” – Disney Television Animation / Cinema Gypsy Productions — Ben Juwono

BEST STORYBOARDING – FEATURE

  • Chicken Run: Dawn of the Nugget– Netflix Presents An Aardman Production — Richard Phelan
  • Nimona– Annapurna Animation for Netflix — Esteban Bravo
  • Robot Dreams– Arcadia Motion Pictures — Maca Gil
  • Suzume– CoMix Wave Films Inc. and STORY inc. — Makoto Shinkai
  • WINNER: The Boy and the Heron – Studio Ghibli / Distributed by GKIDS — Hayao Miyazaki

BEST VOICE ACTING – TV/MEDIA

  • Archer“Keys Open Doors” – FX Productions — Aisha Tyler (Character: Lana Kane)
  • Craig Before the Creek– Cartoon Network Studios — Vico Ortiz (Character: Serena)
  • WINNER: Marvel’s Moon Girl and Devil Dinosaur “Moon Girl Landing” – Flying Bark Productions / Disney Television Animation — Diamond White (Character: Lunella Lafayette / Moon Girl)
  • Solar Opposites“The Re-Visibility Bouillabaisse” – 20th Television Animation — Dan Stevens (Character: Korvo)
  • The Velveteen Rabbit– Magic Light Pictures in association with Apple — Alex Lawther (Character: Velveteen Rabbit)

BEST VOICE ACTING – FEATURE

  • Merry Little Batman – Amazon MGM Studios, Warner Bros. Animation, DC Entertainment — David Hornsby (Character: Joker)
  • Migration– Illumination — Tresi Gazal (Character: Gwen)
  • WINNER: Nimona – Annapurna Animation for Netflix — Chloë Grace Moretz (Character: Nimona)
  • Suzume – CoMix Wave Films Inc. and STORY inc. — Hokuto Matsumura (Character: Souta Munakata)
  • The Super Mario Bros. Movie – Illumination — Jack Black (Character: Bowser)

    Annie Awards 2024
    Chloe Grace Moretz won the Annie for Best Voice Actor in a feature for “Nimona.”

BEST WRITING – TV/MEDIA

  • WINNER: Blue Eye Samurai “The Tale of the Ronin and the Bride” – A Netflix Series / 3 Arts Entertainment and Blue Spirit Productions — Amber Noizumi
  • Only You: An Animated Shorts Collection“Yellowbird” – Afterman production in association with Max/Warner Bros. Discovery — Tsvetelina Zdraveva, Jerred North
  • Rock Paper Scissors“Birthday Police” – Nickelodeon Animation Studios — Josh Lehrman, Kyle Stegina, Aram Spencer Porter, Julia Prescott, Mike Trapp
  • Rosie’s Rules“Time Trouble” – 9 Story Media Group, Brown Bag Films — Leyani Diaz, Maria Escobedo
  • Scavengers Reign“The Reunion” – Max in association with Titmouse Animation and Green Street — Sean Buckelew

BEST WRITING – FEATURE

  • WINNER: Nimona – Annapurna Animation for Netflix — Robert L. Baird, Lloyd Taylor
  • Robot Dreams – Arcadia Motion Pictures — Pablo Berger
  • Suzume – CoMix Wave Films Inc. and STORY inc. — Makoto Shinkai
  • Teenage Mutant Ninja Turtles: Mutant Mayhem – Paramount Pictures and Nickelodeon Movies — Seth Rogen, Evan Goldberg, Jeff Rowe, Dan Hernandez, Benji Samit
  • The Boy and the Heron – Studio Ghibli / Distributed by GKIDS — Hayao Miyazaki

BEST EDITORIAL – TV/MEDIA

  • WINNER: Blue Eye Samurai “The Tale of the Ronin and the Bride” – A Netflix Series / 3 Arts Entertainment and Blue Spirit Productions — Yuka Shirasuna
  • Hilda “Chapter 6: The Forgotten Lake” – Hilda Productions Limited, a Silvergate Media Company, Netflix Inc. and Mercury Filmworks — John Mckinnon, Mike Stefanelli
  • I Am Groot “Groot’s Snow Day” – Marvel Studios — Dan Urrutia
  • Star Wars: Visions “Screecher’s Reach” – Lucasfilm Ltd. ○ Richie Cody, ACE, BFE
  • The Legend of Vox Machina “The Sunken Tomb” – Amazon MGM Studios, Critical Role Productions, Titmouse — Todd Raleigh, Joelle Kristy

BEST EDITORIAL – FEATURE

  • Elemental – Pixar Animation Studios —  Stephen Schaffer, Amera Rizk, Gregory Snyder, Jen Jew, Kevin Rose-Williams
  • Leo– Happy Madison for Netflix — Patrick Voetberg, Joseph Titone, Darrian M. James, Danny Miller, Brian Robinson
  • Nimona – Annapurna Animation for Netflix — Randy Trager, Erin Crackel, Stephen Schwartz, Ashley Calle
  • WINNER: Spider-Man: Across the Spider-Verse – Sony Pictures Animation — Spider-Man: Across the Spider-Verse Editorial Team
  • Teenage Mutant Ninja Turtles: Mutant Mayhem – Paramount Pictures and Nickelodeon Movies — Greg Levitan, Illya Quinteros, David Croomes, Myra Owyang

 

 

This year’s Winsor McCay Juried Awards were given to:

  • Legendary animator and director Charlotte “Lotte” Reiniger (posthumous)
  • Prolific Studio Ghibli composer Joe Hisaishi
  • National Film Board animator and producer Marcy Page

The June Foray Award for significant and benevolent or charitable impact was given to BRIC Foundation, Alison Mann and Nicole Hendrix, co-founders.

The Ub lwerks Award for technical advancement affecting the animation industry was awarded to John Oxberry (posthumous).

The Special Achievement Award recognizing unique and outstanding achievement not recognized within the existing award category structure was given to The Artists of Walt Disney Animation.

For more info, visit annieawards.org.

Producer Randi Wilens on the Art of Animated Music Videos, Promos and Installations

For over two decades, Randi Wilens has been managing animators and producing a wide array of projects for music videos, global tour visuals, live concerts, promos, feature film title sequences, branded content, commercials, animated installations on historical buildings and documentaries. Most recently she has produced animated projects for the likes of Bad Bunny, Paul McCartney, Metallica, Odesza, Blink 182, Billy Idol, Hulu, The New York Times and The Atlantic. She was kind enough to answer a few of our questions about her special brand of animated content.

Animag: Thank you so much for finding time for us. Can you tell us a bit about your background and how you became interested in animation?

Randi: I am a native of Los Angeles and a graduate of USC’s school of cinema with a degree in film production. In 1997, I was at a movie theatre and a commercial played before the film. It was a stop-motion spot for LA NPR station, KCRW. It just blew me away it truly resonated and I had to know who created it. I called the radio station and was introduced to the brilliant James Caliri. I signed him immediately and knew at that moment that I was in love with animation.

What was your first foray into animation?

Our first animation project together was a music video for Cypress Hill featuring The Fugees. It was a wonderful experience. Our next project was Grammy nominated for best video of the year Morphine’s “Early To Bed.” Other projects were Clio winning United Airline spots and Emmy winning film title sequences. James subsequently became an animation entrepreneur when he invented Dragonframe — the globally utilized animation software. Having come from a live-action background, I knew I had a keen eye for animators. I was hooked!

Can you tell us a bit about your current projects?

I am currently producing exciting animation projects for feature films, commercials, music videos, short films, branded content, tour visuals. Recent projects include Bad Bunny, Hoka, Billy Idol, Blink 182, Nina Simone, The Smashing Pumpkins, Brandi Carlile, Anderson Paak, Odesza, a film title sequence for an upcoming feature film, cover art for Harper Collins, and a five-minute music video for The Polyphonic Spree, which will be screened in a planetarium in Dallas!

Producer Randi Wilens
Animated visualizer for Nina Simone’s song “For a While”

What drew you to explore animation in alternative formats such as music videos and concerts?

When the pandemic hit I knew labels and agencies would still want concerts and I pursued animation projects with a fervor. Tour visuals became the new MTV —  animation globally resonates with all recording artists and tour visuals at live concerts is a truly viable art form. My animators have worked with Metallica, SZA, The Weeknd, Matchbox 20, Travis Scott, Lil Nas X, as well as music festivals such as Coachella.

Please tell us  about your installation work and building projections?

One of the animators I represent introduced me to an art curator who was soliciting artists to create motion art to be projected on the Daniels & Fisher Clocktower in Denver… which was viewed by thousands of people. My animator Chris May created one piece that was highly regarded… Subsequently, I introduced the curator to my roster of animators I represent and he was wowed. He subsequently hired me to curate ten art pieces for 2024. I am now working with the city of West Hollywood to create content for billboards on the Sunset strip. We have also created an art installation screening on a major billboard in Tokyo. It’s a very exciting endeavor and only just the beginning.

Producer Randi Wilens
Chris May’s animated installation

What are some aspects of the job you absolutely love and what are the big challenge?

I love that animated content is globally respected as an art form in all genres and people will take chances on innovative and experimental content. The challenges come about when there is not enough time or enough money or both. But I always find a solution.

What excites you about animation in the year ahead?

The sky’s the limit – the future of animation content will be trailblazing.

What kind of advice do you offer young people who want to get into animation, beyond taking the usual studio and TV animated content route?

I lectured and mentored film students at USC for 10 years. My advice to young animators is to ‘just do it’!  Create your own content — a music video, a spec commercial, an art piece. Don’t wait for things to happen: make them happen.

For more info Randi and her cutting-edge animation projects, visit rwmedia.tv. You can watch some of her animated projects below:

Time for Toon Town’s Biggest Night! The 51st Annie Awards Promises another Entertaining Animation Celebration

0

With several months of award-season hype and daily prognostication from experts, the actual arrival of the Annie Awards evening comes as a welcome event. Conceived by the late, great actress June Foray, the Annies have been a part of animation life in Los Angeles since the first edition took place at the banquet room of the Sportsmen’s Lodge (which has now been converted to a shopping center) in Studio City.

This year, the 51st edition of the Annie Awards will take place on Saturday, February 17 at UCLA’s Royce Hall and will honor the best of the industry in 37 categories. As always, the event promises to be a festive, entertaining and celebratory affair.

Sue Shakespeare
Sue Shakespeare

ASIFA-Hollywood president Sue Shakespeare says she’s looking forward to celebrating the best of the animation world at the popular event. “It is so exciting to look back on this year and see how animation has flourished at the box office,” she notes. “Finally, we are back in the theaters, experiencing the amazing films on the big screen! It’s so impactful! The state of the animation industry has never been better. More films are being produced each year, and the variety of subjects being explored is fabulous.”

 

Global Champions

Shakespeare adds, “We’re seeing the ‘value’ of animation in film. Animated films are among the highest earners at the box office. Of course, this is not surprising to many of us, for we recognize that animation can tell stories and create memorable movie experiences that communicate across boundaries and barriers of all kinds. When I look at the cross section of domestic and international, studio-backed and independent films released in 2023, I marvel at the amazing sophistication in them. So many styles are now being produced, and there is a greater prevalence of hybrid styles this year than ever before.”

Shakespeare is also optimistic about the future of the industry. “Technology keeps moving forward, and I see more applications of technology forthcoming,” she says. “I expect the importance of animation to continue growing in the years to come. I’m also excited that animation has proven yet again its resilience. While much of the industry was impacted due to the strikes, animated projects in film and television were able to continue moving forward and keeping people employed if their scripts and voice recordings had been finalized. Much like how we were able to adapt and set up remote working processes during COVID, we were able to continue working through these challenging times. I’m excited to be a part of this amazing industry.”

Frank Gladstone

‘Because we champion everyone in the animation community, in some ways we are the proverbial melting pot. All are welcome, treated equitably, listened to, celebrated.’

— ASIFA exec director Frank Gladstone

Frank Gladstone, the executive director of ASIFA-Hollywood and the executive producer of the Annie Awards, tells us that he has bought a new tuxedo jacket and is ready for the show. This year, the awards ceremony is a particularly special one for Gladstone: The much-respected animation veteran will be stepping down from his job at ASIFA in March after spending 12 years at the helm, but he says he will continue to be active as an ASIFA board member.

When asked about how it feels to be retiring from the job after so many years, he says, “I don’t know yet! I am still the exec producer for this year and haven’t had any time to think about anything else. I suppose that any sort of change always has its bittersweet moments, but I have had a great run. Also, the ASIFA executive committee has asked me to stay on as a board member, so I’ll still have a chance to put in my two cents now and then!”

Looking back at his tenure with the animation organization, Gladstone says he is quite happy with what ASIFA has achieved over the year. “We worked diligently to stabilize and then grow ASIFA-Hollywood and that, at least most of the time, was fun. I am also convinced that it’s the right time for other folks to take things even further.”

 

Pinocchio Wins last year's Best Picture Award
‘Guillermo del Toro’s Pinocchio’ won the top feature animation prize at last year’s Annies. [Photo c/o the Annie Awards, 2023]

Making an Impact

Gladstone adds, “The first two or three years were all about just trying to save the organization. At some point, maybe during the third year, I was looking around the table during a board meeting, and it dawned on me that whatever we were doing was working. We were actually growing again. That was a very gratifying moment.”

Regarding the importance of ASIFA as a vital organization, Gladstone says, “Because we champion everyone in the animation community, in some ways we are the proverbial melting pot. All are welcome, treated equitably, listened to, celebrated. That is our mission and our primary agenda. I think that every community needs a space like ours, maybe now more than ever.”

And what is his take on the state of animation? Gladstone responds, “This is one of the most consistent questions I’ve been asked over more than 50 years in the business … and, being in the business so long and seeing what I have been able to see, it’s a question I never know how to answer. It’s like what Chicagoans say about their city’s weather, ‘Don’t like it? Wait five minutes and it’ll change!’”

He also has some profound advice for whomever succeeds him as the executive director. “Make sure to eat healthy, exercise and get enough sleep!” he says with a smile.

 


The Annie Awards take place on Saturday, February 17, at UCLA’s Royce Hall. To purchase tickets and learn more, visit annieawards.org.


 

Annie Awards - Studio Features

The Annies: Major Categories at a Glance

 

Best Studio Feature
Nimona (Annapurna Animation for Netflix)
Spider-Man: Across the Spider-Verse (Sony Pictures Animation)
Suzume (CoMix Wave Films, STORY Inc.)
Teenage Mutant Ninja Turtles: Mutant Mayhem (Paramount, Nickelodeon)
The Boy and the Heron (Studio Ghibli, GKIDS)

 

Best Indie Feature
Ernest & Celestine: A Trip to Gibberitia (Folivari, Mélusine, StudioCanal, GKIDS)
Four Souls of Coyote (Cinemon Ent.)
Robot Dreams (Arcadia Motion Pictures)
The Inventor (Curiosity Studios)
White Plastic Sky (SALTO Films, Artichoke)

 

Annie Awards - Indie Features

 

Best Special Production
Invincible: Atom Eve (Amazon MGM Studios, Skybound)
Shape Island: The Winter Blues (Bix Pix Ent., Apple)
Snoopy Presents: One-of-a-Kind Marcie (WildBrain Studios, Apple)
The Smeds and the Smoos (Magic Light Pictures)
The Velveteen Rabbit (Magic Light Pictures, Apple)

 

Best Short Subject
Carne de Dios (Ojo Raro, Fedora Productions)
Daffy in Wackyland (Warner Bros. Animation)
Humo (Outik Animation, 3rd Street Video, Mindsoup Ent., IMCINE)
Pina (Punchline Cinema, Next Days Films)
War Is Over! Inspired by the Music of John & Yoko (ElectroLeague)

 

Best Sponsored
“Video Games” by Tenacious D (Pinreel Inc.)
Alzheimer’s Research UK “Change The Ending” (Passion Pictures)
“Laugh Track” by The National (featuring Phoebe Bridgers) (Bernard Derriman)
WWF “Up in Smoke” (NOMINT)

 

Best TV/Media, Preschool
Batwheels “To the Batmobile!” (Warner Bros. Animation)
Ghee Happy “Navagraha” (Ghee Happy Studio)
Playdate with Winnie the Pooh “Piglet, Tigger and the Cardboard Box”  (Oddbot)
StoryBots: Answer Time “Fractions” (JibJab Bros. Studios for Netflix)
The Creature Cases “The Forest Food Bandit” (Silvergate Media, TeamTO, Choice, Provisions, Netflix)

 

Annie Awards - Children's TV

 

Best TV/Media, Children
Curses! “The Baboon Temple” (DreamWorks Animation)
Hilda “Chapter 8: The Fairy Isle” (Hilda Productions, Silvergate, Netflix, Mercury Filmworks)
Marvel’s Moon Girl and Devil Dinosaur “The Beyonder” (Flying Bark Productions, Disney TV Animation)
My Dad the Bounty Hunter “Bizarre Ride” (Netflix)
Shape Island “Square’s Special Place” (Bix Pix Ent., Apple)

 

Best TV/Media, Mature
Big Mouth “The International Show” (Netflix)
Blue Eye Samurai “Pilot: Hammerscale” (Netflix, 3 Arts Ent., Blue Spirit)
Bob’s Burgers “Amelia” (20th Television Animation)
Scavengers Reign “The Signal” (Max, Titmouse Animation, Green Street)
Tomato Kitchen (Bilibili, Studio Reflection)

 

Annie Awards - Mature TV

 

Best Student Film
From The Top. Rich Farris, Martina Buendia Silva (National Film and Television School)
Kolaj. Besen Dilek (Filmakademie Baden-Württemberg GmbH)
La quête de l’humain. Mélina Ienco, Lucie Juric, Caroline Leibel, Faustine Merle, Claire Pellet (Gobelins, l’école de l’image)
Quem Salva. Laure Devin, Maxime Bourstin, Nathan Medam, Charles Hechinger, Titouan Jaouen –(Supinfocom Rubika)
The Little Poet. Justine King (California Institute of the Arts)

 

Best Director, TV/Media
Kizazi Moto: Generation Fire “Moremi.” Shofela Coker, Andrew McNally
My Dad the Bounty Hunter “Bizarre Ride.” Kenji Ono, Kai Akira, Patrick Harpin
Pokémon Concierge “What’s on Your Mind, Psyduck?” Iku Ogawa
Scavengers Reign “The Fall.” Diego Porral
Star Wars: Visions “Screecher’s Reach.” Paul Young

 

Best Direction, Feature
Nimona. Nick Bruno, Troy Quane
Robot Dreams. Pablo Berger, Benoît Feroumont
Spider-Man: Across the Spider-Verse. Joaquim Dos Santos, Kemp Powers, Justin K. Thompson
Teenage Mutant Ninja Turtles: Mutant Mayhem. Jeff Rowe, Kyler Spears
The Boy and the Heron. Hayao Miyazaki

 

Juried Awards Winners


Juried Awards

The Winsor McCay Award in recognition of lifetime or career contributions:

  • Legendary animator and director Charlotte “Lotte” Reiniger (posthumous)
  • Prolific Studio Ghibli composer Joe Hisaishi
  • National Film Board animator and producer Marcy Page

The June Foray Award: The BRIC Foundation, Alison Mann and Nicole Hendrix, co-founders.

The Ub lwerks Award: John Oxberry (posthumous).

The Special Achievement Award: The Artists of Walt Disney Animation.

 

See the full list of nominees here.

Jon Hamm Makes the Case for His New Show ‘Grimsburg’ and the Joys of Animation

Jon Hamm may be best known as a serious Emmy-winning actor who played troubled ad exec Don Draper in Mad Men and recently delivered top performances in the new seasons of Fargo and The Morning Show. However, the talented actor has also lent his famous voice to close to 20 animated shows and movies over the years, including The Simpsons, Robot Chicken, Bob’s Burgers, Archer, SpongeBob SquarePants, Family Guy, Metalocalypse, M.O.D.O.K., Big Mouth, Invincible, Big City Greens and Minions.

Hamm, who executive produces FOX’s new Sunday night show Grimsburg and also voices its main character, Marvin Flute, says he knew he wanted to be part of the new primetime show when he first read the script. “It wasn’t quite like anything I had seen before,” he tells Animation Magazine in a recent phone interview. From a tonal standpoint, it was a bit different from everything else, and I thought it offered plenty of fertile ground to plow from a comedic standpoint. Mostly, I thought the show was something that I would watch myself and it seemed like a fun thing to do!”

The 52-year-old actor says he has always been a big fan of animation, mentioning a wide range of favorites, from Chuck Jones classics, Terrytoons’ Heckle and Jeckle, Tex Avery’s Droopy and Bill Plympton movies. “I also love all the great Miyazaki movies, and Spike and Mike’s animation festivals. Those were always my jam,” he mentions. “There’s just so much amazing animated stuff out there.. A lot of them are super interesting and worthwhile. I mean if you’re a fan, all it all triggers an amazing response in your psyche.”

Grimsburg
Marvin Flute (Jon Hamm) is shadowed by an actor playing him in a true crime TV series in the Sunday, Feb. 18 episode of ‘Grimsburg.’ [© 2024 by FOX Media Inc.]
When asked about the look of his character on Grimsburg, which according to exec producer Chadd Gindin is loosely based on “what would Jon Hamm look like if he let himself go,” Hamm laughs. “I love the look of the show,” he says. “Obviously, everything, including the look of my character is heightened for fun. Marvin definitely has a lot going on in his life, and the show offers a real comic take on the detective genre as well.”

Hamm, who is also voicing Sentinel Prime in the upcoming Transformers One movie, says he has already started working on the second season of the show, although there’s still work to be done on the first one. “With animation, there are always quite a bit of pickups and edits. It’s not a quick process, and you’re constantly tweaking jokes and, hopefully, you’re making things funnier and sillier. I just love doing that stuff. I hope audiences will be also enjoy visiting this world on Sunday nights and find it entertaining and worthwhile, because just like Krapopolis, it has a different vibe from the other adult animated shows on the lineup.”

 


Following last month’s special preview, Grimsburg makes its regular time slot premiere on FOX this Sunday, February 18 at 8 p.m. ET/PT.