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Home Blog Page 1915

DreamWorks May Be Shopping Ani Unit

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According to reports in The New York Post and Forbes.com, DreamWorks may move its animation unit out of house by spinning it off to another major studio. Under the speculated deal, DreamWorks would likely retain use of the unit while benefiting financially from the sale and the reduction in overhead costs.

DreamWorks declined to comment on the situation, leaving observers to wonder about the state of the animation industry as Disney and Pixar dissolve their long-standing and profitable relationship and feel out potential suitors.

DreamWorks scored big box office and home video numbers with The Prince of Egypt, Antz, Shrek and Chicken Run but took losses on other animated features including the recent Spirit: Stallion of the Cimarron and last summer’s big-budget flop Sinbad: Legend of the Seven Seas. But things may turn around with the highly anticipated May 21 release of Shrek 2 and the October debut of Shark Tale, followed by Madagascar in summer 2005. Several other big-screen toons are currently in various stages of pre-production.

The New York Post cited sources alleging that DreamWorks is also considering a possible initial public offering of the animation division. However, an outright sale is still a possibility given that DreamWorks recently sold its record business to Universal Music Group for an estimated $100 million.

DreamWorks Taps Scribe for Monkey Business

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Whatever may be happening with DreamWorks’ reported plans to spin off its animation unit, the studio is still plugging away at developing new animated features. Daily Variety reports today that Undercover Brother creator John Ridley is being paid seven-figures to write his first animated feature for the producers of Shrek, Antz and Sinbad: Legend of the Seven Seas.

The new film’s working title is The Unprofessionals and will center on three hapless monkeys sent on a quest that they are expected to fail. Mike LaChance, Chris Cuzer and Jeffrey Katzenberg will produce for DreamWorks.

Ridley’s web toon Undercover Brother, which is featured on Urban Media’s www.urbanentertainment.com, was acquired by Imagine Ent. and became a live-action, big-screen hit for Universal in 2002. The scribe has also penned the live-action features Three Kings and Cold Around the Heart and is the author of noir novels such as The Drift, Everybody Smokes in Hell and Those Who Walk in Darkness, which Urban Media and Wea Corp. turned into an animated graphic novel starring Lil’ Kim for home video distribution.

Cartoon Network Picks New Development VP

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Alice Cahn has been named VP of development for Cartoon Network’s kids businesses, focusing on original entertainment programming for children 4-7. Cahn will be based in New York and report directly to Sr. VP of programming and development Bob Higgins. Her hire is part of a shifting of job descriptions that has been taking place in the programming/development department since Linda Simensky left the post of Sr. VP of original animation to become Sr. director of children’s programming at PBS.

In her new role, Cahn will be responsible for discovering and cultivating a variety of new original series and specials that will appeal to the network’s younger viewers. Additionally, she will work closely with the company’s online, marketing, ad sales and licensing teams in expanding Cartoon Network’s youth-targeted business off-air.

Cahn comes to Cartoon Network from The Markle Foundation in New York City where she served as managing director of Interactive Media for Children. Before that, she spent two years as Sesame Workshop group president where she oversaw all domestic and international creative development and television production, home video and audio production, and development and production of feature films. Among the properties she helped to create are Sagwa (with Cinegroupe); Tiny Planets (with Pepper’s Ghost); Dragon Tales (with Columbia Tri-Star); CinderElmo and Elmo and the Wolf (with Sony Wonder); and Elmo in Grouchland (with Columbia Tri-Star).

Cahn also served five years as Director of Children’s Programming for Public Broadcasting Service (PBS) in Alexandria, VA, responsible for the strategic planning and direction of all PBS children’s projects and the Ready to Learn Service, created in partnership with the U.S. Department of Education. Original series developed, purchased and/or acquired for PBS under her leadership include Teletubbies, Where in Time is Carmen Sandiego?, Kratt’s Creatures, Zooboomafoo, Arthur, Wishbone, Wimzie’s House, Tots TV, Theodore Tugboat and Noddy.

American Splendor Tops Splendid DVD Slate

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Fresh off its Academy Award nomination for Best Adapted Screenplay, Fine Line Features’ American Splendor makes its way to video shelves today. The HBO-produced biographic look at life of file clerk-turned-cult cartoonist Harvey Pekar has made many critics’ top ten lists for 2003 and earned Hope Davis a Best Supporting Actress Golden Globe nomination.

Written and directed by Shari Springer Berman and Robert Pulcini, American Splendor stars Paul Giamatti as Pekar, creator of the autobiographical underground comic book American Splendor. The film features brief pieces of animation mixed in with the live-action to comically illustrate Pekar’s inner conflicts.

DVD bonus materials include group audio commentary with the directors, the cast and Harvey Pekar; the Sundance Channel’s featurette Anatomy of a Scene; a music track; the “My Movie Year” 12-page comic insert that appeared in Entertainment Weekly; easter eggs and DVD ROM features including a screen saver. The HBO Video release lists for $27.95 on DVD.

Also packaged to purchase today is Jimmy Neutron: Jet Fusion, featuring all four parts of the Rescue Jet Fusion series and six bonus episodes. The Paramount Home Ent. release has Jimmy enlisted as a spy on a mission to rescue Agent X, who turns out to be the boy genius’ movie hero, Jet Fusion. The DVD retails for $16.99 and includes the bonus episodes "My Son, the Hamster," "See Jimmy Run," "Krunch Time," "Safety First," "The Retroville 9," and "Grumpy Young Men."

Paramount Home Ent. also released today The Fairly OddParents: Superhero Spectacle, including five adventures chronicling Timmy’s quest to become a superhero. It features five bonus episodes and retails for $16.99 DVD.

For younger tykes, Anchor Bay offers Best of Gordon from HIT Ent.’s popular Thomas the Tank Engine and Friends series. The release includes nine adventures starring express engine Gordon and featuring storytellers Alec Baldwin and George Carlin. This fourth release in the fast-selling "Best of" DVD series includes three set-top games, bios, web links and a 12-page booklet. It lists for $19.98 DVD and $12.98 VHS. Also available is a special limited edition VHS version which includes an on-pack promotion featuring Learning Curve’s Wooden Railway Bertie the Bus for the suggested retail price of $14.98.

Distrib. Magic Lantern Boards Magic School Bus

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Magic Lantern Group Inc. has become the exclusive Canadian educational distributor of Scholastic Corp.’s VHS and DVD series The Magic School Bus. The award-winning property will join Magic Lantern’s library of more than 40,000 programs from 300 world-renowned producers including Disney Educational Media, Schlessinger, Annenberg/CPB and Dorling Kindersley.

Effective in the fourth quarter of 2003, Magic Lantern Group acquired exclusive Canadian educational DVD and VHS rights for the property. The deal includes public performance rights for departments of education, schools, school boards, media centers and other educational organizations. Home use rights are also available to Canadian public libraries at a discounted price. Magic Lantern serves more than 10,000 schools, libraries and social agencies in North American and international markets.

Magic Lantern Group President and CEO Bob Goddard states, "We anticipate The Magic School Bus to be one of our most successful products and will contribute significantly to the building of our market share in Canada.”

Based on Scholastic’s best selling book series by Joanna Cole and Bruce Degen, The Magic School Bus is an Emmy Award-winning animated series that takes children on entertaining and educational journeys through the world of science. Available in both English and French-speaking languages, the series has also won Kids First! Awards and has been approved by Parents’ Choice.

Euro-Rich Days for French Ani House Carrere

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Top French animation shop Carrere Group has reported 80.4 million euros ($100 million) in consolidated revenues for 2003, according to Daily Variety. This marks an 11% rise over the 2002 numbers and a 160% jump over the 2001 reports.

The revenue rise was due in part to “the miracle of The Triplets of Belleville,” according to the company, as well as success from fiction series Maigret, which airs on France 2, and Le Grand Patron and Le Juge est une Femme, which air on TF1.

Carrere has stakes in various audiovisual companies including Les Armateurs, which co-produced the Oscar-nominated Belleville. Auteurs Associes and TV production outfit Ego Prods. are two of the company’s other subsidies.

2004 should be another interesting year for the company. Its new animated pic The Three Wise Men (Les Trois Rois Mages) has sold more than 250,000 tickets in Spain, and has been sold in the U.S., Italy, South America and Scandinavia ahead of its launch in France. Other projects include the French children’s animated series T’Choupi, as well as the Les Armateur’s hot new project, the Kirikou and the Sorcerer prequel.

Fear Effect Game for Big Screen

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Entertainment software publisher/developer Eidos has optioned the film and television rights to its video game franchise Fear Effect to producer and director Uwe Boll and his production company, BollKG. The deal follows Eidos’ success in licensing Tomb Raider to Paramount Pictures and the optioning of Deus Ex by Columbia Pictures and producer Laura Zisken.

Boll is making a career of bringing video games to theaters. The director recently helmed an adaptation of the Sega zombie title House of the Dead, which debuted on home video last week. He also produced and directed a pic based on Atari’s Alone in the Dark. That film is due out this summer.

Fear Effect is a fantastic game with a dark story," says Boll. "I want to create an action film in the vein of Charlie’s Angels but portray its sexy heroines Hana and Rain in a much edgier fashion.”

Van Helsing Bares CG Teeth on Web

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Justin Timberlake and Janet Jackson may have stolen the show with their revealing half-time number, but Sunday’s Super Bowl broadcast also featured a first look at Univeral’s highly anticipated May release, Van Helsing. The trailer offered a tasty glimpse of some of the film’s many digital animation effects and can be downloaded at the movie’s revamped (pardon the pun) website (www.vanhelsing.net).

Written and directed by Stephen Sommers (The Mummy, The Mummy Returns) Van Helsing stars X-Men‘s Hugh Jackman as Bram Stoker’s legendary vampire hunter, who not only meets up with Dracula, but also the Wolfman and Frankenstein’s Monster. Industrial Light + Magic brings the classic monster mash to life with digital mayhem that just may do justice to one of the best movie posters to come along in decades.

In addition to the Super Bowl TV spot, Universal’s expanded Van Helsing web site features a photo gallery, a behind-the scenes movie clip, downloads and a look at VU Games’ upcoming console game based on the motion picture. The video game is scheduled to hit stores in conjunction with the film’s May 7 release date.

Universal’s animation division is also preparing a half-hour animated prequel to the film. Van Helsing: The London Assignment features the voice of Jackman and will be out on May 11, just four days after the feature opens in theaters.

Triplets Director’s Letter to Lasseter

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With the Oscar race heating up and media outlets making much ado of the showdown between traditional animation and computer wizardry, The Triplets of Belleville director Sylvain Chomet asked Animation Magazine Online to post this very special Dear John letter to Pixar creative force John Lasseter.

Dear John,

Congratulations to you and the Nemo team for your recent nominations and accolades. As you know I am a great fan of your work. From Luxo Junior to your most recent achievements, I have followed the evolution of your films with fascination–to the point where I even toyed with the idea of switching to 3D myself! Walking home after seeing knick-knack for the first time I floated 10 centimeters above the ground–humming the Bobby McFerrin tune –convinced at last I was in the right profession. I understood at that point in time there could be a revolution in 2D which could run parallel to the innovative films you were making in the 3D field.

I believe we now find ourselves in a strange situation. There are those pitching Nemo against the Triplets in an attempt to propagate the idea of a "war" between the two techniques used to make these films. I’d like to take this opportunity to express my sincere admiration and respect for you and your team and for the films you are making. We both know it’s not the tool that lends talent to the craftsman–but it’s the craftsman himself who breathes magic into his work.

2D animation is not dead! Long live 3D!

All the best for the coming weeks and hope to see you soon,

Yours sincerely,

Sylvain Chomet

Raven Animation to Make Partners of Disney Discards

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If Disney doesn’t want them, plenty of others do. As former Mouse House animators re-enter the job market, growing animation companies are hoping to enlist their talents by offering interesting incentives. Take Raven Animation Inc. The wholly owned subsidiary of Raven Moon Ent. Inc. announced today that it not only plans to hire Disney cast-offs, but also make them partners in the company.

"We view this as a strategic acquisition," says Raven CEO Joey DiFrancesco. "These talented animators from the Walt Disney Company are going to be an integral part of our success for years to come. Making the animators part owners just makes smart business sense.”

DeFrancesco won’t say how many animation positions they are looking to fill, but told Animation Magazine Online "We are looking for talent and we want the best people possible. So we’re just going to see how many we can bring into our fold." To date, seven interviews have been conducted and one hire has been made.

While Raven Animation will focus primarily on 3D computer animation, DeFrancesco tells us that the door is open for traditional animators since the company is willing and able to provide CG training.

Raven’s search for animation talent is especially of interest in Orlando, where Disney recently closed down its feature animation division. According to DeFrancesco, ABC Eyewitness news in Orlando will cover the story during tonight’s 6:00 p.m. newscast.

Raven Animation, which considers itself a budding Pixar, will be interviewing animators through Feb. 29 as it ramps up to produce a CG feature titled Mr. Bicycle Man, based on a character used in several Raven Moon public service announcements. The company is also developing The BoBo Blocks, Cuddle Bug Cousins and Cowboy Joe & Cowgirl Jane from the Katie Did It Kids collection. In addition, it is actively seeking other projects to produce.

Currently, Raven Moon Ent. is producing 15 half-hour episodes of Gina D’s Kids Club, which will be offered to major networks for a September 2004 broadcast launch.

Raven executives will be attending meetings with toy companies and executives at the New York Toy Fair with Gina D, Pierre D’ Artist and TV TED, the stars of Gina D’s Kids Club. They will also be appearing at Kids Day for the New Jersey Devils hockey game with New York’s Radio Disney 1560 personalities on Feb. 14.

Atomic Betty Zooms to Cartoon Network U.S.

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Cartoon Network in the U.S. has picked up the animated series Atomic Betty from co-producers Atomic Cartoons, Breakthrough Animation Inc. and Tele-Images Kids. The broadcaster has entered into a five-year deal for the adventure/comedy for kids 8-12 and plans to add it to its fall line-up in September.

Created by Atomic Cartoons, Atomic Betty follows the adventures of a seemingly normal young girl who leads a secret life as a "Galactic Guardian and Defender of the Cosmos." Together with her sidekick, a green Martian named Sparky, Betty must defend the galaxy from the evil Maximus IQ.

The $9.1 million series went into pre-production in June of 2003 and Breakthrough Animation, the newly-established animation production, marketing and distribution division of Canadian producer Breakthrough Films & Television, has recently delivered the first of 26 half-hour episodes. The show is animated in Flash and has "a lot of roots derived from anime and early cartoons from the likes of UPA, UB Iwerks and Warner Bros," according to exec. producer Kevin Gillis, a managing partner of Breakthrough Animation. "It also makes use of multi-mattes like in the series 24, where you have different pieces of action happening on screen at the same time."

Cartoon Network U.S joins Cartoon Network U.K., Australia, Italy, South-East Asia, Scandinavia and Eastern Europe as an Atomic Betty licensee. Breakthrough has licensed the series to more than 40 territories worldwide, 30 of which plan to take it to air this fall. The show will also air on TELETOON in Canada, M6 in France, Teletoon in France and ABC in Australia.

Atomic Betty is a co-production of Toronto-based Breakthrough Animation Inc., Vancouver-based Atomic Cartoons, and France’s Tele-Images Kids with the participation of the Shaw Fund and the Canadian Television Fund. The series represents the first major original production for Breakthrough, which was formed in spring 2003 by Kevin Gillis, Ira Levy and Peter Williamson.

Nick Jr. to Launch in Australia

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Nickelodeon is set to launch Australia’s first dedicated channel for preschoolers. Nick Jr. will air on FOXTEL and AUSTAR when the subscription television providers launch new digital services in the first half of 2004.

Nick Jr. is currently finalizing a launch slate that includes original Australian shows featuring local personalities, well-known Nickelodeon titles such as Dora the Explorer and Blue’s Clues, and new acquisitions.

Among its high-profile additions will be Ollie, the first Australian Sesame Street Muppet created specifically for Nickelodeon Australia, and Joy Smithers (All Saints), who will host Nick Jr.’s Play Along segments.

Nick Jr. Australia will be headed up by Catherine Nebauer, the general manager of Nickelodeon, and the existing Nickelodeon management team.

The block will also continue to run on Nickelodeon weekdays from 9:30 a.m. to 11:30 a.m.

mental ray 3.2 for 3ds max

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Many beginning 3D animators assume that rendering is the easiest step in the process, but, in reality, it is one of the most difficult parts of the job. 3D artists should have a good knowledge of lighting techniques and keen eyes to observe the world around them in order to create a realistic look in rendering. Of course, a powerful rendering tool is also essential. That’s why Discreet has included mental ray 3.2 in its 3ds max 6 package.

It’s important to note that mental ray is the first rendering software to combine the physically correct simulation of the behavior of light with full programmability for the creation of any imaginable visual phenomenon. To date, it has been integrated into Softimage|3D and Softimage|XSI, Discreet (Autodesk) 3ds max, Alias Systems Maya, Side Effects’ Houdini 5, SolidWorks PhotoWorks 2 and Dassault Syst’me’s CATIA V4 and V5 products. A number of translators and translator plug-ins allow for using mental ray in conjunction with various 3D modeling and animation front-end systems.

Discreet’s 3ds max rendering panel offers some extra options and mental ray-specific controls. I tried rendering some scenes on my hp xw4100 workstation and the results were stunning. I started with a photograph of a simple room lit by sunshine and rebuilt it inside 3ds max 6, and then rendered it using mental ray. The photo realistic results were almost indistinguishable from the actual photo. New render elements such as flat Diffuse, Lighting, and Matte are also available for mental ray. There are also contour shaders, camera shaders and other features in 3.2. Not only can you blur shadows with the software, you can also split images into strips and allow different servers to render each for faster results.

The Good News: Mastering mental ray may take some time, but if you stick with it you’ll discover that it’s actually quite easy to use. Seriously, you can start rendering beautiful images instantly.

The Wish List: Although one appreciates all the hard work that has gone in to making mental ray a superior product with excellent performance possibilities, the bar can always be raised by increasing rendering speed.

The Bottom Line: If you are a pro 3D artist, you should seriously look into getting plugged into the mental ray world as soon as possible.

Web Address: www.mentalray.com, www.discreet.com

Animation Magazine’s Seal of Excellence

Ease of Use: ****

Rendering Quality: *****

Rendering speed: *****

Quality and Depth: *****

The Final Score: *****

Adobe Photoshop CS

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Here’s one of the first major upgrades of the year that is bound to make artists happy. Yes, I’m ecstatic about Photoshop CS’ new version, and here are a few reasons why: I needed to work with a 24’x10′ sketch of a showroom. Without Photoshop CS I had to scan it in three different segments and then spend hours stitching the segments together and matching the colors and contrasts. Fast forward to life after Adobe Photoshop CS: I only had to use the new Photomerge tool to automatically stitch and color match all three segments.

The package comes with the new ‘Crop and Straighten’ photo option which allows you to scan multiple images at once and automatically straighten and save each as individual files. I also like the time-saving photo filters for quick color correction and the handy shadow/highlight option under image adjustments. The ‘Match Color’ function instantly matches the color of an image to a selected source. Graphic designers will appreciate ‘Text on a Path’ or the ‘Inside a Shape’ features. Another useful addition is the Photo Filter Gallery, which lets you mimic the effects of traditional camera filters.

The Good News: Among Photoshop CS’s valuable features are the RAW support (for most cameras), better organization, PDF export and the web photo gallery.

The Wish List: Some of the added elements affect the original layer instead of creating a masked/adjustment layer. But I guess, by now, artists should know better than working without backing up their original files and layers!

The Bottom Line: It’s simple! If you are a professional artist using Photoshop, you’ll be a fool not to upgrade to this version. It’s only $169 for an upgrade ($649 for the full version).

Web Address: www.adobe.com

Animation Magazine’s Seal of Excellence

The Final Score: *****

Ease of Use: ****

Interface: *****

Tool Power: *****

Quality and Depth: *****

e-on Software’s Vue 4 Professional

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The team at e-on software who gave us Vue d’Esprit 4 (Seal of Excellence) have improved on the existing software and come up with Vue 4 Professional. To refresh your memory, Vue 4 is a 3D natural scenery creation software, that is unbelievably easy to learn.

Thanks to the Kick-Start Tutorial, you can learn about the key features in a few minutes. You will then be ready to create your own world, big or small. You begin by choosing an atmosphere (Daytime, Simple Sunset, and Bad Weather are some of the options.) Then, according to the selected atmosphere, you get more choices. For example, in Daytime, you’ll have the option of picking Golden Yellow or Coming Storm. The choices are plenty, but that’s just the start: You can then add water, clouds, terrain, objects, rocks and planets’yes, even planets.

Modifying scenes are also straight-forward. Even if you export them to 3ds max, Cinema 4D, LightWave, Softimage XSI or Maya, the cameras and lights match the synch plug-ins perfectly. One useful feature is the fast-preview rendering engine that lets you see what the image will look like in a small window if a certain material is applied. Vue 4 Professional also supports multiple processors, filter editing and python scripting. You certainly get a lot of scenic bang for the package’s $599 price tag.

The Good News: Vue 4 Professional’s terrain editing allows users to dig, raise or create various effects with a resizable brush, while controlling its softness, flow and strength.

The Wish List: Although the rendering is faster than before, would’t it be great if we could just forget about the terms loading and render time forever? We certainly wouldn’t say no to a free, bigger library in the future versions of the package.

The Bottom Line: Not only does the software give you incredible control over your landscape, it also supports 3ds, COB, DXF, LWO, OBJ, SHD and other Import/Export file types.

Web Address: www.e-onsoftware.com

Animation Magazine’s Seal of Excellence

Final Score: *****

Ease of Use: *****

Interface: *****

Tool Power: *****

Quality and Depth: *****

Expandability: *****

Creative NOMAD’s Jukebox Zen NX

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If you’ve been looking for an affordable hard-drive-based MP3 player that can compete with Apple’s i-POD, then Creative’s NOMAD Jukebox Zen NX is the answer to your prayers.

The 30gb Jukebox Zen MX can hold up to 8,000 WMA or MP3 songs. That means you can certainly carry your voice-overs, narrations, or dialogue soundtracks with you to locations or meetings. A small scroll botton on the side allows fast and easy access to files. If you use the box to store and build your music library, the songs are indexed automatically and can be viewed in a number of ways (e.g. by artist, title, album, genre, etc.). You can also create your own play lists to suit your needs. Handy extras include EAX Audio, which lets users adjust audio for specific situations and surroundings.

The Jukebox Zen NX runs on a removable Li-ion battery that can run for up to 14 hours.

All of the above would be pointless if the sound quality didn’t perform on a professional level. That’ why it’s important to note that the audio was crystal-clear and it could be cranked out as loud as we needed it to be. In addition, the high-res backlit LCD lets you easily see which tracks you are listening to without straining the eyes.

Connecting the box to the computer was effortless. The package’s software makes it very easy to add songs to the playlist. The player’s design is very friendly and impressive. All necessary buttons are easy to reach and you will not have any problems controlling the device. The creators made everything on the Zen NX straightforward and user-friendly.

The Good News: A good selection of features and crisp audio quality will be music to your ears. Using the stylish and well-designed Zen NX is a great and affordable way to archive your studio’s music library.

The Wish List: All I would ask for is a line-out jack to help hook the box to the sound system since it would be ideal to listen to Zen NX sans headphones.

The Bottom Line: If you are looking for a solid portable music player and storage device, this is the one you should pick up.

Web Address: www.creative.com

Animation Magazine’s Seal of Excellence

Final Score: *****

Sound Quality: *****

Ease of Use: *****

Design: *****

Capacity: *****

Introducing Maya 5: 3D for Beginners

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We all know that learning a 3D application on your own can be as tough as Sam and Frodo’s journey to Mount Doom: You play with the program for a few months, but then you hit a brick wall and can’t get passed the initial few steps. To get to the next level, you need to have a strong and solid foundation. And unfortunately you can’t get that by a few random online tutorials here and there. The book Introducing Maya 5 by Dariush Derakshani is the kind of tool you need to push you to the next level. ‘Your exploration should be about learning what you can do and not what the software can do,’ writes Derakhshani. The author has a strong architectural background and is also an award-winning animator. In this book, he teaches everything from the Maya 5 interface, to button functions and even art essentials.

The tome is devoted to different aspects of Maya from rendering and texturing to NURBS polygons and subdivisions. It also offers a great section on the walk cycle. The featured images by new Maya artists are very inspiring and provide good examples of over-lit and under-lit scenes. Overall, the book covers everything a beginning Maya artist should know and includes some suggested readings, good sites and a CD with Maya Personal Learning Edition Version 5.

The Good News: This book is definitely more than just a ‘step-by-step’ tutorial. It actually explains why and how we get there. That means you get an explanation of 3-point lighting as well as how different kinds of light work.

The Wish List: Some intermediate ‘how to’ and bonus files on the CD would have been nice.

The Bottom line: If you’re just beginning to dive into the world of 3D, this is the book for you. I also recommend this book if you’re making a transition from another 3D software to Maya.

Web Address: www.sybex.com and www.alias.com

Animation Magazine’s Seal of Excellence

Final Score: *****

Quality of the writing: *****

Ease of use of the Tutorials: *****

Depth of Coverage: *****

321 Studios’ DVD X Copy Platinum

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321 Studios has a good reputation among digital video connoisseurs for its practical DVD back-up and archiving tools. Trying DVD X Copy Platinum convinced me that this latest 321 Studios product is actually their very best effort to date. DVD disks may last longer than videotapes, but they are also vulnerable to surface scratches. That’s why it’s important to back up your work or library.

I installed DVD X Copy Platinum on my HP Workstation xw 4100, which has an internal HP DVD recorder. The installation process was very easy, but be sure to restart your computer afterwards so that the program can recognize your drives. You can fit a whole DVD movie with all its features on one single DVD R (or +R or RW) disc. To accomplish this, you open Platinum’s Advanced window and select the title sets you want to copy. Then you can let the program apply an equal compression rate to each one of the title sets, or you can choose different rates for the selected titles. In cases that I picked the advanced features to compress the DVD movie, I didn’t notice any drop in resolution or image quality. One problem that I did encounter occurred during the writing stage of the DVD: I was getting a writing error because the DVD X Copy Platinum requires a large virtual memory size. So I solved the problem by setting the virtual memory to the maximum size allowed.

The Good News: DVD X Copy Platinum also installs a copy of DVD X Rescue for you. DVD X Rescue repairs your harmed DVD and CD discs and lets you copy them to another fresh disc.

The Wish List: The current version of the DVD X Copy Platinum demands a large memory, making it difficult for the user to perform any other tasks during the recording process. It would be great to see a solution to this problem in the future.

The Bottom Line: This digital tool is a must have for studios or independent artists who deal with DVDs.

Web Address: www.321studios.com

Animation Magazine’s Seal of Excellence

Final Score: *****

Ease of Use: *****

Interface: *****

Power: *****

Quality and Depth: *****

Not Another Oscars, Annual Annies Set for 31st Frame

A few weeks before the big one at the Kodak Theater, the International Animated Film Society will present its picks for the best in TV and film animation of 2003.

Hosted by Emmy- and Annie-nominated comic Steve Marmel, the 31st frame of the Annie Awards will take place at the Alex Theater in Glendale, Calif. on February 7th. Marmel will be joined by a supporting cast of presenters that includes: noted voice actors Tom Kenny (SpongeBob SquarePants), Alexander Gould, (the voice of Nemo in the worldwide phenom Finding Nemo) and Nancy Cartwright, (Bart Simpson in The Simpsons). Also scheduled to appear is Roy E. Disney, June Foray and a number of "surprise" celebrity guest presenters. A post-show celebration immediately follows the awards show.

The original awards of the animation industry, the Annie’s are well supported and attended by the studios and entertainment community and are seen as the pre-curser to the annual Oscar for animation.

The Annie Awards honor animation excellence across 22 categories including production design, character animation, effects animation, writing, music, directing, storyboarding and voice acting for both film and television productions. Entries submitted for consideration must be from productions that originally aired, were exhibited in an animation festival, or commercially released in their country of origin between January 1st and December 31st, 2003. Special juried awards for lifetime or special achievement will also be given.

This year, Pixar’s Finding Nemo leads with 12 feature nominations while Brother Bear from Walt Disney Pictures follows with seven.

Both are nominated for Outstanding Achievement in an animated theatrical feature as well as Looney Tunes: Back In Action from Warner Bros. Animation, Millennium Actress from Go Fish Pictures and The Triplets of Belleville from Les Armateurs (Sony Pictures Classics). For a complete listing of Annie Award nominations and further information, log onto www.asifa-hollywood.org

Tickets for the awards are $50 for the general public and $35 for ASIFA-Hollywood members. Tickets include admission to both pre- and post-show receptions offering the opportunity to mingle with top animation and entertainment industry professionals. For tickets and information on the 31st Annual Annie Awards, contact ASIFA-Hollywood at (818) 842-8330 or see asifa-hollywood.org.

Geek Dream Date Set For Tech Oscar Show

Ouch, dude. Jennifer Garner, the Alias hotty-of-hotties, has been confirmed as the presenter of this year’s Academy Award scientific and technical awards.

The non-broadcast event takes place on Valentine’s Day at the Ritz Carlton Huntington Hotel in Pasadena, Calif. two weeks before the February 29 Oscar main-event on ABC.

In addition to competition prizes, two honorary kudos are set to be given by Garner: One to Bill Tondreau, a pioneer in robotic camera operations and the other to Digidesign, a company that makes digital-audio systems to edit movie soundtracks.

With an eye for the babes (and a means to get publicity for awards the general public doesn’t much care about) the sci-tech awards have, in the recent past, snagged Kate Hudson and Charlize Theron for presenting duties.