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Home Blog Page 258

Autonomous Animator: The Best Ways to Monetize Your Intellectual Property

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***This article originally appeared in the December ’22 issue of Animation Magazine (No. 325)***

So you’ve spent countless hours, days, or even years, developing, perfecting and producing your very own intellectual property — now what?

Intellectual properties, also known as IPs, are well-developed ideas or concepts that have been actualized on paper and/or digital media such as patents, inventions, trademarks, software and as, it pertains to the animation industry, movie scripts, characters, stories and other original creative content.

Keeping your idea in your head or floating aimlessly in the ether doesn’t qualify as an IP. In the case of intellectual propertyism, it’s not the thought that counts — it’s the clear, documented expression of that idea that can be copyrighted, legally protected and monetized.

Here is a list of IP outlets that have made countless billions for their creators. Try putting your IP in these scenarios and see how many you can make happen:

Feature Film
Seeing your intellectual property turned into a feature film is more than likely the ultimate, if not somewhat obvious, dream target of creative types. However, the time, money and giant bag of feral cats that have to be wrangled in order to make and distribute a feature film is extremely prohibitive to independents which is why it almost never happens.

For the privileged few that are lucky enough to make all the necessary vectors coalesce, your IP can earn you a flat fee if you were to sell it to a film studio, you could earn a salary as a writer, director or producer, not to mention royalties or residuals from the earnings of the film and merchandise. This also opens up the possibility of generating additional revenue from just about anything listed below.

Series
Streaming services and TV (remember television?) absolutely love a good series. A series comprises multiple episodes that range in length from approximately 15-60 minutes each and maintain relatively high production value, sometimes eclipsing even a feature film.

Here, your IP will be produced as multiple episodes in a season where the audience gets to watch the cast encounter a variety of plots, storylines and jokes — but (often) keeping the primary cast unchanging so as not to mess with the formula and risk losing the fan base. Monetizing your IP with a series is akin to a feature film, where you can earn a license fee, a buy-out, royalties or even salary for helping produce the series.

Books
Yes, we live in a digital age. However, books — actual printed books — are still sold in the billions around the world every year; almost a billion annually in the U.S. alone. See if your IP lends itself to any of the following: Comic books/graphic novels, novels, short stories, coloring books, children’s storybooks or e-books/downloadable PDFs.

Print Ads/Online Ads
Ads, now more than ever, need to jump out and grab the viewer. Maybe one of your characters could serve this purpose for the right advertising or marketing agency. Try selling your characters outright or licensing them for limited use. And when the licensing term is up, you have the option of renewing or seeking other offers.

Clothing & Accessories
Analog, real-world products rule! So much so that global clothing sales’ $3 trillion annual earnings last year towered over even the global entertainment and media’s earnings of $2.3 trillion. This being the case, it would be fiscally prudent to review the list below and match as many as possible to your IP: T-shirts, hats, socks, sweatpants, active wear, bean bags, towels, bathrobes, necklaces, bracelets, earrings, watches, pillows/pillowcases, pajamas, etc.

Phone Games/Apps
Many a programmer has made millions creating apps — even modest ones. If your IP lends itself to an app or phone game, by all means explore this option. A great app can still be very profitable and also keep you connected to your fans.

Pay-per-Click Revenue
Post your IP content on all the free video and content sites you can find, promote it very well, and you may be able to earn passive income from the traffic that views your work and clicks on advertiser’s links.

Think Outside the List
While feature films and series are the obvious targets for aspiring intellectual property owners, there are many other ways to earn an adoring fan base and multiple revenue streams with your well-developed ideas. In addition to the ones listed above, commercials, music videos, PC/Console games, board games, toys, stuffed animals and more, are all potential outlets for your IP to be seen, heard and rewarded with earnings.

Martin Grebing is the president of Funnybone Animation Studios. He can be reached at funnyboneanimation.com.

 

Artists Pay Homage to Iconic ‘Peanuts’ creator Charles M. Schulz on his 100th Birthday

Throughout the years, animation professionals have been inspired by the work and legacy of Peanuts creator Charles M. Schulz, who would have turned 100 today. To celebrate this landmark date, more than 75 syndicated cartoonists paid tribute to the influential genius by including homages, Easter eggs and loving references to Peanuts in Saturdays’ funny papers.

“It’s a tribute to probably the world’s greatest cartoonist,” said cartoonist Patrick McDonnell, who creates the daily strip Mutts for 700 newspapers. “After Peanuts, the cartoon world changed. I think most working cartoonists today would say he was the inspiration for them to become cartoonists.”

Charles M Shulz

McDonnell, who is a member of the board of directors of the Charles M. Schulz Museum and Research Center, came up with idea to pay homage to the late comics master and JumpStart cartoonist Robb Armstrong contacted the cartoon syndicates with their birthday plan.

“I’m pretty confident that when you open the newspaper that morning, the whole comic page is going to be a tribute to Sparky [Schulz’s nickname],” said McDonnell. “I’m personally looking forward to the surprise that Saturday to see what people did.”

Charles M Shulz

Peanuts made its debut in newspapers on Oct. 2, 1950. The daily trials and tribulations of Charlie Brown, his beloved beagle Snoopy and their friends Linus, Lucy, Peppermint Patty, Franklin, Schroeder and others have entertained readers in more than 2,600 newspapers around the world. Produced by Lee Mendelson and directed by Bill Melendez, the animated specials A Charlie Brown Christmas (1965) and  It’s the Great Pumpkin, Charlie Brown (1966) are two of the most acclaimed and popular animated holiday specials of all time.

Although Schulz died in 2000, his legacy lives on in new animated specials, series and feature projects. In 2015, director Steve Martino’s acclaimed CG-animated feature The Peanuts Movie, produced by the team at Blue Sky Animation, became the first feature film based on the characters in 35 years. The characters are also featured in Apple TV+ show such as Snoopy in Space, The Snoopy Show and other holiday-related animated specials.

Peanuts was everything,” said McDonnell. “I read Peanuts books every night, and I wanted to be a cartoonist because of that since I was four. To actually have my own little cartoon character in Peanuts — it still boggles,” said McDonnell. “Every morning I look at it and I still can’t believe it happened.”

Charles M Shulz

You can see a complete collection of all the 100th birthday tributes to Peanuts at https://schulzmuseum.org/tribute

Charles M Shulz

Charles M ShulzCharles M Shulz

Source: Associated Press,

Former Annecy Director Serge Bromberg Faces Prison Term for Involvement in Film Reel Fire

Former artistic director of Annecy Intl. Animation Festival Serge Bromberg is facing a four-year sentence (three of them suspended)  for involuntary manslaughter. The well-respected film restorer is on trial at the Court of Creteil (near Paris) due to his involvement in a deadly fire which killed two people in the August of 2020 during a heatwave. The fire was a result of Bromberg storing nitrate film reels in the basement of an eight-story apartment located in the outskirts of Paris. The final judgment of the sentencing is due in January of 2023.

Bromberg was tried in charges of committing involuntary manslaughter and injury as well as endangering the lives of others. He told the court, “I would like to say that I am the sole person responsible for this drama. It is my fault and exclusively my fault. I am unforgivable and I hardly dare ask for forgiveness.”

Bromberg served as artistic director of the Annecy International Animation Film Festival from 1999 to 2012. He is also well known for the work he has done in restoration and distribution of vintage films (under his Lobster Films banner). Lobster films holds a library of 50,000 vintage films, with over 210,000 film reels.

According to the prosecution, Bromberg had stocked his personal film reels as well as those of Lobster Films in a storage space under building in the Vincennes area on the eastern edge of Paris, without authorization. Investigators noted that between 1,364 to 1,953 reels were being stored in the space at the time of the tragic fire. However, Bromberg told the trial there had been precisely 965 reels. He said the space was used as a temporary holding location for a few reels, which were headed for France’s National Cinema Center to be restored and preserved.

Sources: Deadline.com, Agence France Presse

Disney’s ‘Strange World’ Underperforms During Thanksgiving Weekend (Sunday Update)

Family audiences haven’t been too eager to visit Disney’s Strange World this holiday weekend so far. According to industry trades, the sci-fi fantasy only made about $2.5 million on Thursday and an estimated $4.2 million on Wednesday, putting it on track for an estimated $23 million during its first five days in theaters. However, the film looked likely to cap at about $18.6M, with a $5.M Friday and $4.3M Saturday.

Strange World is also struggling overseas. Disney’s determination to stick with a central gay character’s storyline has led to cinema bars in major markets including Russia, China, France, Middle East, Malaysia and Indonesia, as well as several other territories. The film had only managed to eke out a $28M global take.

Last year’s Disney release Encanto earned over $40.3 million over the same release window. Family audiences gave a much warmer reception to Disney’s live-action movie Black Panther: Wakanda Forever, which made $8.1 million  on Thanksgiving and is estimated to make $63 million over the long weekend.

Here is a look at the top 10 Thanksgiving weekend best-sellers through recent years:

Sources: Deadline.com, Boxofficemojo.com

 

 

Director David H. Brooks on the Stop-Motion Magic of the New Special, ‘Mickey Saves Christmas’

This Sunday (Nov. 27), everyone’s favorite studio mascot, Mickey Mouse, and his friends are sent to the North Pole to save the holidays in the new stop-motion animated special, Mickey Saves Christmas. The show’s director David H. Brooks was kind enough to answer a few of our questions about this fun new seasonal offering:

Animag: Congrats on your latest project! Can you tell us how you got involved with this festive holiday special?

David H. Brooks
David H. Brooks

David H. Brooks: Thanks! I feel so incredibly lucky to have played a role in bringing Mickey Mouse to life in stop-motion, especially in such a big way. I previously held the role of creative director and executive producer of Stoopid Buddy Stoodios’ commercial division Buddy Spots, and in 2019 we produced a Clio award winning stop-motion animated interstitial for their content marketing division titled Mickey Mouse and the Magical Snowy Holiday directed by my good buddy and super talent Harry Chaskin. That short was such a success that I think it got the gears turning over at Disney to create something longer form. Jill Hotchkiss, VP of content marketing at Disney, has been a longtime advocate of mine and made sure the creative team involve me in some way, something I’m forever grateful for. I had just come off of directing Ultra City Smiths for AMC and thankfully the stars aligned for me to jump on board!

Talk about a change of pace from Ultra City Smiths. What did you love best about this assignment?

Yeah Mickey Saves Christmas was quite the change of pace from Ultra City Smiths, in so many ways. Coming off of directing a series, block shooting across multiple episodes, working with around 20 animators and 3 dozen stages, I relished the opportunity to focus all of that energy onto one 22 minute special. Ultra City Smiths is quite an adult show, but it’s also a musical with complex choreography. So shifting to Mickey Mouse wasn’t exactly a complete 180. I’ve directed musical numbers before but Ultra City really gave me some perspective to focus on the character within each musical number. So bringing that energy to Mickey was a joy. Mickey Mouse has a very established style of animation and working with my animation director Ethan Marak we had the space to really service that history and create something truly Mickey Mouse.

How long did it take to complete and where was the animation produced?

We produced the special at Stoopid Buddy Stoodios here in Burbank, California. Stoopid Buddy has been creating quality stop-motion at a high level for over a decade  and provided a fantastic space for us to succeed on every level. The full production timeline was around 9 months with a solid two and a half months of shooting. Lightspeed in animation standards.

Mr. and Mrs. Claus are happy to see Mickey and his friends in the North Pole!
Mr. and Mrs. Claus are happy to see Mickey and his friends in the North Pole!

What were your biggest challenge on this special?

Every production poses unique challenges and Mickey Saves Christmas was no exception. We strived to be very on model with our characters, something that seemed quite important considering this is the first time Mickey, Minnie and the gang were going to be rendered in stop-motion animation in long form. The challenge was to meet the established style across many different animators, stages, and scenes. Luckily our entire crew loves Mickey Mouse and has been watching Disney animation for most of their lives.

Can you describe the visual inspirations for the show?

There were so many styles we took as inspiration, but we looked very closely at the past 2D Mickey Mouse Christmas films in our design process. Our production designer Chris Zollna took those visuals and worked to update the style to create a contemporary feel. Of course we looked at The Nightmare Before Christmas for the North Pole sequences.

Bret Iwan voices the famous rodent in “Mickey Saves Christmas.” The special also features the voices of Kaitlyn Robrock (Minnie), Bill Farmer (Goofy), Tony Anselmo (Donald), Tress MacNeille (Daisy), Camryn Grimes (Mrs. Claus) and Brock Powell (Santa).

Who are some of your big animation influences?

There are really too many to name here, but growing up I was heavily influenced by the animation of Don Bluth and Wolfgang Reitherman. In the stop-motion space Tim Burton and Wes Anderson have been idols in their treatment of animation in so much of what they do, both their animated films as well as their live action work. But more recently, I’ve been influenced and inspired by many of my peers; Cat Solen, Musa Brooker, Kirsten Lepore are all making waves in animation and pushing the medium of animation in ways that bring me so much joy.

What was the best part about working with Micky, Donald and the rest of Disney’s iconic characters?

Mr. and Mrs. Claus are happy to see Mickey and his friends in the North Pole!
Mr. and Mrs. Claus are happy to see Mickey and his friends in the North Pole!

Working with Mickey and the gang has been a true career highlight. I’d say the best part about working with these characters was seeing these icons that have been with me and with so many of us for our entire lives come to life in the medium that I love – stop-motion ;).

And the biggest lesson you learned from this experience?

A lesson that I seem to learn over and over again on just about everything I work on is to remember to enjoy the process. Sure there’s an end product that I’m excited to share with the world, but working every day on set with an incredibly talented crew, animating iconic characters voiced by a stellar cast, with the guidance of fantastic partners at Disney is a honor and a joy and being present to that experience is something to strive for.

Mickey Saves Christmas premieres Sunday, Nov. 27, on ABC, Disney Channel, Disney Junior and Disney XD and Monday, Nov. 28, on Disney+ and Hulu.

Watch the trailer below:

 

 

Tech Reviews: Universal Scene Description, Toon Boom Storyboard Pro 22 and Landscaper for After Effects

Universal Scene Description

If you are involved with 3D art at all and haven’t investigated Universal Scene Description (USD), then you are already behind the curve — because it is quickly becoming ubiquitous, and not just in animation and visual effects.

 

USD is a framework developed by the big brains at Pixar as a way to efficiently define a scene made up of large quantities of 3D elements and parameters. A huge problem with describing scenes is not exclusively about building the scenes — but in a world where every studio has their own flavor — sharing scenes is, and has been, a thorn in our sides. We have had attempts in the form of FBX or Alembic files, but USD looks like it is shepherding in the new way that we share scenes.

We have already seen software adoption of USD — Houdini, Maya, Max, Nuke, Mari, Katana, Unreal, Unity, the list goes on. Each has begun to implement Hydra in their viewports, which is a scalable rendering architecture that ships with USD. And is the most effective way to view the USD scenes we are assembling.

These methods have been driven by the animation and VFX industries, for their own niche purposes. But this technology has grown beyond us. The apps on our phones and tablets that have 3D objects are utilizing USD technology. VR and AR headsets and implementing USD to define the 3D worlds we are experiencing. The Metaverse is now using USD to share assets and define worlds.

USD is helping visualize and economize in completely unrelated industries such as car manufacturing and home furniture designing. So, what does this mean for the animators and artists out there? First and foremost, knowing how USD works in our VFX and animation pipelines will be an advantage. USD is not an elusive, arcane technology. If you are techie enough, you can get the builds for free and dive into the technology yourself. If you are already an artist in Houdini or Maya or Katana, start digging into the USD workflow that has been set up for you. And if you’ve been in the film industry for some time and are looking to move to different industries, know that there is an exit strategy, because your USD knowledge will be useful in so many ways far beyond making films and TV shows.

Website: graphics.pixar.com/usd


Toon Boom Storyboard Pro 22

Toon Boom Storyboard Pro 22 was recently released, so I thought it was a good time to check out the latest version of the popular animation tool. For those you are unfamiliar, Storyboard Pro acts as the development phase of an animation project that will ultimately and seamlessly lead into Toon Boom’s production software, Harmony. But Storyboard Pro is certainly not limited to that ecosystem. It can also interface with standard non-linear editors like Avid and Premiere as well as Foundry’s animatic planning system, Flix.

Basically, Storyboard Pro is the hub of your artwork, storyboard panels, sound, camera moves, etc., where you work through your ideas before bringing them to fruition in animation or film form. And all those images could be created outside of Storyboard Pro on paper or in Photoshop or wherever, or inside Storyboard Pro itself with its bitmap- and vector-based drawing tools.

So, what’s new? Frankly, there isn’t anything that is going to change the industry and how we do things. However, there are things that will make the artists happier, and happier artists are productive artists.

Most of the focus in this release is on refining the drawing tools; obviously an important tool in software revolving around drawings. The most substantial is new brush tool properties which give you fine control over how the brush strokes respond to your pen. Pen tilt and speed can drive size, flow and opacity; usually the pressure of the tip drives both. The fade and tapering of the stroke can be tied to the length of the stroke. This sounds like a lot of different factors based on how you hold and move the pen — but with a little practice it’ll become muscle memory — and the result will look more organic.

A simple new feature called Scale Pencil Line gives you control not of the scale of your stroke — but actually the thickness of the stroke which is pretty cool.

Then there is a fancy mirror feature they threw in to quickly flip your storyboard image. This is leaning into a technique artists use (or should use) when checking shot composition and balance. If you flip and flop your image, you reset your brain, which has acclimated to the image you’ve been looking at. You see the image in a new way. By giving you a quick-check tool, you can make these checks without accidentally affecting the project.

An additional viewing tool is Reference View (updated from the previously named Model View), where you can load images into an internal folder for easy accessibility to pop up as reference when you are drawing your boards.

Website: toonboom.com

Price: $557/year or $71/month; 21-day free trial available


Landscaper for After Effects

While I love putting together landscapes in World Builder or World Creator or Vue or Unreal, sometimes you don’t need something that robust. Other times, the style of the project you are working on doesn’t call for these specific tools. Or sometimes you just need something to quickly lay out an idea and iterate on it. That’s why Creation Effects (a.k.a. Noel Powell), maker of a slew of production After Effects tools, has brought us Landscaper to fill that need.

Landscaper is, to put it simply, an After Effects template for making scenes out of layers of elements. It is incredibly robust, well thought out and versatile. The sample After Effects file gets you on your way, with everything organized so you can dive into the different PreComps and audition a vast sampling of built in skies, grounds, water and elements of the world that you can choose and place to compose your scenes.

The package comes pre-bundled with 30 types of scenes ranging from aerial wetlands to winter wonderlands, providing a great starting point for anything you want to create, but also act as references for how to accomplish specific looks if you are building something from scratch. Also included are thousands of plants, geological structures, rocks, trees, pre-rendered animations and really anything you might need which are searchable in After Effects or on the Creation Effects website. To help add animation and effects, there is a whole collection of effects to apply to your elements to get haze, fog, wind, lightning, rainbows and so much more. For cases that require things that don’t exist within Landscaper, you can add your own custom elements — with plenty of information on how to do it located within After Effects itself, or online.

Each of the sections have been setup with control layers with a slew of parameters to make adjustments to the layers and elements. This includes a whole sun and sky system that you can dial to taste or control time of day. All of the above are available at HD and 4K.

The versatility of Landscaper is a little mind blowing, but the product has its limitations. It’s not a compiled piece of software or a plugin inside of a host program. It is quite literally a complex system of compositions and pre-compositions connected by a webwork of expressions within After Effects. So any bottlenecks are a result of limitations within After Effects itself. Also, know that this is not a full 3D platform, even though it is utilizing the 3D functionality of AE. So, your scenes are 3D worlds, filled with 2D elements and camera projected grounds. That means that your camera moves will have to be gentle and tasteful, or else your scene may break.

However, these are just caveats to point out a few limitations in an otherwise impressive bit of planning and engineering to bring forth a product that can help tons of artists realize a vision without needing the time and skills in a 3D program. (And all for $99!)

Website: creationeffects.com

Price: $99

Todd Sheridan Perry is an award-winning VFX supervisor and digital artist whose credits include Black PantherAvengers: Age of UltronThe Christmas Chronicles and Three Busy Debras. You can reach him at todd@teaspoonvfx.com.

The Animation Lover’s 2022 Holiday Gift Guide

***This feature originally appeared in the December ’22 issue of Animation Magazine (No. 325)***

New delights for animation movie lovers, bookworms, collectors, artists and plain ol’ fans of many ages and tastes, sure to light up their winter holidays!

 

Art of PinocchioInside the Master’s Workshop. One of the season’s — not to mention the year’s and, arguably, the decade’s — most-anticipated animated projects is far from your typical holiday fare. Guillermo del Toro’s Pinocchio is a uniquely dark, emotionally complex take on the classic story brought to life with incredible stop-motion artistry, which fans and cinephiles can explore in this 220-plus page hardcover, which features a foreword from the Oscar winner. Exclusive cast and crew interviews, concept art and BTS images from the full production process turn another inspiring page in the tale of a character we all thought we knew. [Insight Editions | $60 | Dec. 13]

 

Turning Red Mug + Mei Panda Plush Slippers [shopDisney | $20, $14]
Soothe the beast within with a new, Pixar-themed a.m. ritual.

 

Aqua Teen Forever - Plantasm

Fast Food Heroes Reflux. Dave Willis and Matt Maiellaro’s Adult Swim animation icons are back in their second feature adventure: Aqua Teen Forever: Plantasm! After the team falls out and goes their own way, global events conspire to reunite Frylock, Meatwad and Master Shake to fight crime once more (or at least sort of try) — namely, the greedy mega corporation “Amazin” and its tech mogul CEO (voiced by Peter Serafinowicz). The perfect gift for your friend still nostalgic for their early 2000s insomniac phase! [WB | $30 BD, $40 4K]

 

Jujutsu Kaisen Tamagotchi Nano [Crunchyroll Store | $25]
The latest anime smash hit meets a retro toy fad for otaku fun wherever your sorcerer’s quest takes you.

Copic Sketch Blending Basics [Copic | $50]
Nice intro kit for the cult favorite markers, with four super light colors, blender and 0.3 Multiliner pen for on the go sketching.

 

Ode to the Collector. For the kid at heart with just barely enough room left on their shelves, pick up a copy of the photo-packed, creatively pitched memoir My Life and Toys by writer/director/producer Brian Levant, whose film credits include The Flintstones (1994) and Scooby-Doo! (2009). The book spotlights his extensive collection of pop culture character toys (shot by Joe Pellegrini) with tales from his life and career. From the Addams to the Jetsons, Dino to Scooby, Levant’s hardcover exhibition “is more than just beautiful pictures and Brian’s unbelievable stories,” as TV writer/producer and Gallery 1988 owner Jensen Karp writes in his foreword, “… It’s evidence that you don’t really have to grow up to be an adult.” [G Editions | $85]

 

Pillow Pets Appa Plush [Pillow Pets | $32]
Yip yip! Avatar: The Last Airbender stans will squeal for this cuddly 16″ companion.

Revolution Beauty Collabs
Get cruelty-free glam with beloved characters like The Powerpuff Girls (pictured: Collector’s Set, $62), The Simpsons (Couch Bag, $9) & more from this London-based makeup brand. [revolutionbeauty.us]

 

Feudal Fandom. A scrappy orphan thief joins forces with a tragically cursed, incredibly adept warrior to reclaim the latter’s lost body parts and sensory abilities by destroying the demons that marked him in Dororo, a supernatural adventure through ancient Japan. Fans of this monster-slaying saga will be delighted to unwrap the Dororo Limited Edition Premium Box Set, featuring 24 episodes (600 min., English dub & sub) on Blu-ray plus extras, packaged in a collector’s box with a 40-page booklet, illustrated privacy screen and 12 double-sided art cards. [Sentai | $130]

 

Nix Mini 2 Colorimeter [Nix | $65]
Capture inspiration with this portable tech that scans any surface to match a digital color value.

Howl’s Moving Castle Calcifer Tee [BoxLunch | $30]
Burn bright in 2023 with this exclusive shirt’s confidence-boosting Ghibli mantra.

 

Haunts for the Holidays. For your favorite spooky li’l weeb, you can’t go wrong with some Junji Ito — especially as fans prepare for the launch of the Netflix Anime anthology Maniac in January! The latest work by the three-time Eisner-winning writer and artist to be translated to English, Black Paradox is a twisted manga tale about four people intent on killing themselves who meet through a macabre website. On their quest to find the “perfect death,” they open a door to a bizarre destiny. (Hey, some folks can only take the holly-jolliness for so long!) [VIZ Books | $20]

 

Refreshed Classics. LAIKA fans will be delighted to snag new Limited Edition Steelbook sets of Henry Selicks’ Coraline and/or Sam Fell & Chris Butler’s ParaNorman (celebrating its 10th anniversary this year). These luxuriously hand-crafted and well-loved stop-motion hits come home with new 4K restorations and Dolby Atmos sound mixes, accompanied by behind-the-scenes featurettes, making-ofs, audio commentaries, deleted scenes and lovely little art & essay mini books. [Shout! | $35 each | Dec. 13]

 

Fabulous New Frontiers. For those looking for a gentler journey into the unknown, Disney has once again given its latest animated feature a charming picture book treatment for Strange World – Little Golden Book. These sweet little retellings are the perfect way to inspire preschoolers to read with the help of their favorite characters, both classic and thoroughly modern like the Clades! [Golden Books | $6]

 

 

Gnomon Workshop Subscription [The Gnomon Workshop | $49/mo., $490/yr.]
Knowledge is a gift — especially with access to hundreds of 3D creation lectures, pro training and videos.

Mickey Mouse Fuzzy Tote [shopDisney | $40]
A fresh way to rep a classic Disney icon in the hypebeast era.

Existential Romance. For the person looking for the next beautiful animated import to wow them, illustrator loundraw’s debut feature Summer Ghost is the perfect fit. Inspired by one of the artist’s original drawings, the poignant supernatural drama centers on three troubled teens who meet by chance when they all converge to summon a local legend, the “summer ghost,” leading one boy to become obsessed with the spirit’s mysterious purpose. The Blu-ray includes a documentary, feature animatic and interview with loundraw. [Shout!, $23 BD]

 

Gabby’s Dollhouse – Purrfect Dollhouse [Spin Master | $68]
Become a young fan’s favorite person ever by gifting this top-selling playset.

The Nightmare Before Christmas 13 Day Countdown Calendar [Funko | $35]
Collectible fun for any time of the year, with 13 quirky blacklight reactive Pop! figs.

 

All Hail the Elder Gods! No need to brush up on your R’lyehian for this gift pick: The Lovecraft mythos gets a colorful modern crossover in the new four-part comics mini-series Rick and Morty vs. Cthulhu. Reuniting the Eisner-nominated team from Rick and Morty vs. Dungeons and Dragons (Jim Zub, Troy Little, Leonardo Ito and Crank!), the story follows the Smith family through a Lovecraftian hellscape, fighting cosmic sentient color and racist fish-people. Part 1, The Whisperer in the Dorkness, is out December 7 with cover by Little, variants by Zub, Zander Cannon, Marc Ellerby, Julieta Colás and Ryan Lee. [Oni Press | $4]

 

Chainsaw Man – Pochita 1/1 Scale Vinyl Figure [Crunchyroll Store | $267]
Everything to love about a licensed art toy packed into 13 dangerously adorable inches.

Wacom Cintiq 16 15″ [Wacom | $650]
Named the best digital drawing tablet of the year, which is no surprise for the top-of-the-line art tech brand. For a budget-friendly option, the XP-Pen Deco 01 v2 (10″) gets high marks for a $60 price tag.

 

Laughter Is the Best Medicine. Bring home the first two of Trey Parker and Matt Stone’s hit special events for Comedy Central in the new South Park: Post COVID & The Return of COVID set. The irreverent adventures follow pandemic survivors Stan, Kyle, Cartman and Kenny on a quest to go back in time, stop the virus and save Kenny’s life — a seemingly simple solution, until they cross paths with the mysterious Victor Chaos. Do your part to stop the winter variant wave by staying in and rewatching! [Paramount | $14 DVD, $18 BD]

 

29 pc. Pro Sketching & Drawing Kit [Arrtx | $13]
Graphite, charcoal and paper pencils plus accessories, all wrapped up in a canvas pouch ready for when inspiration strikes.

Vince Guaraldi – A Charlie Brown Christmas Super Deluxe Edition [Craft Recordings | $100 CD/BD, $50 Digital]
The definitive remix of the evergreen soundtrack, including recording outtakes and hardcover book packaging.

 

Coming Soon! 20 Movies to Track in 2023

***This feature originally appeared in the December ’22 issue of Animation Magazine (No. 325)***

Interest in animated feature projects continues to grow, so it’s never too early to take a look at some of the exciting movies heading our way in 2023. Of course, we all know that the “official” release dates are bound to change, but this list will give you a pretty good idea of what to expect to see on the big screen next year.

 

The Amazing Maurice. Directed by Toby Genkel and co-directed by Florian Westermann, this adaptation of Terry Pratchett’s fantasy features a stellar Brit voice cast, including Hugh Laurie, Emilia Clarke, David Thewlis, Gemma Arterton, David Tennant and Hugh Bonneville. Terry Rossio (Shrek) wrote the script, which follows a streetwise ginger cat (voiced by Laurie) who comes up with the perfect money-making scheme involving strangely educated, talking rats. Sky Cinema/ Cantilever/Ulysses Filmproduktion/Studio Rakete/Red Star 3D; Jan. 13 (U.S., Viva Kids)

 

Batman The Doom That Came to Gotham comic

Batman: The Doom That Came to Gotham. This much-anticipated DC animated movie is adapted from the three-issue Elseworld comic-book series created by Mike Mignola (Hellboy), Richard Pace, Troy Nixey and Dennis Janke, which was first published in 2000-2001. Showcasing Victorian-inspired visuals (similar to Gotham by Gaslight), the Warner Bros. Animation feature features the Caped Crusader as a 1920s-era crimefighter who battles H.P. Lovecraft-inspired adversaries. Warner Bros. Animation/DC Entertainment

 

Chicken Run Dawn of the Nugget
Chicken Run Dawn of the Nugget

Chicken Run: Dawn of the Nugget. Directed by animation veteran Sam Fell (Flushed Away, ParaNorman), this sequel to the Oscar-winning 2000 feature finds Ginger (now voiced by Thandiwe Newton) and her team having to return to the mainland to save the other chickens from a new threat. The voice cast also includes Zachary Levi, Imelda Staunton, Bella Ramsey and David Bradley. Aardman/Netflix/Pathé; Nov. 10

 

Doraemon: Nobita’s Sky Utopia. In this 42nd outing of the popular animated franchise created by Fujiko F. Fujio, the time-traveling robotic cat, Doraemon, his human charge Nobita and their friends use an airship with a time-warp function to find a perfect land in the sky where everyone is absolutely happy and content! Directed by Takumi Doyama from a screenplay by Ryota Kosawa. Shin-Ei Animation/Toho; March 3 (Japan)

 

Elemental. Peter Sohn (Partly Cloudy, The Good Dinosaur) directs Pixar’s 27th feature, which is set in a city where fire, water, land and air residents live together. The plot finds a fiery young woman (Leah Lewis) and a go-with-the-flow guy (Mamoudou Athie) discovering something elemental: How much they actually have in common. Produced by Denise Ream (Cars 2, The Good Dinosaur). Disney/Pixar; June 16

 

Ernest & Celestine 2: A Trip to Gibberitia. This sequel to the Oscar-nominated 2012 French feature follows the central bear and mouse characters as they return to Ernest’s country to fix his broken violin, but discover that all forms of music have been banned there for many years. Directed by Jean-Christophe Roger and Julien Chheng, produced by Didier Brunner, Damien Brunner (The Summit of the Gods) and Stéphan Roelants. Folivari/Mélusine/Studiocanal

 

High in the Clouds

High in the Clouds. Wirral the Squirrel and his friends Froggo and Wilhamina try to escape the nightmare world of Megatropolis in order to find Animalia, a sanctuary in the clouds, in this feature directed by Timothy Reckart (Head Over Heels, The Star), based on the children’s book by Paul McCartney, which also features music by the world renowned star. Netflix/Gaumont Animation

 

 

Little Nicholas: Happy as Can Be. Winner of the top prize at Annecy, this charming 2D animated feature looks at how artists Jean-Jacques Sempé and René Goscinny created the adventures of the mischievous schoolboy in 1960s Paris together. Debuting in France, Italy and Canada at the end of 2022, the film is directed by Amandine Fredon and Benjamin Massoubre, from a script by Goscinny’s daughter, Anne, and Michel Fessler. On Classics Mediawan/Bidibul/Charades

 

Migration. Directed by Benjamin Renner (The Big Bad Fox and Other Tales, Ernest & Celestine), with a script by Mike White (The White Lotus, School of Rock), this original movie follows a family of ducks which convince their overprotective father to go on a wild vacation of a lifetime. Universal/Illumination; December 22

 

The Monkey King. Director Anthony Stacchi (The Boxtrolls, Open Season) leads this CG-animated feature about the famous simian king who sets out to get his stolen staff back from the Dragon King. The script is by Ron Friedman and Steve Bencich (Open Season, Chicken Little). With the voices of BD Wong, Stephanie Hsu, Jimmy O. Yang, Jo Koy, Bowen Yang, Hoon Lee and Ron Yuan. Netflix/Pearl Studio

 

Nimona

Nimona. Nick Bruno and Troy Quane direct this adaptation of ND Stevenson’s acclaimed graphic novel, which sees the teen shapeshifter join forces with falsely accused knight Ballister Boldheart to prove his innocence — even though Nimona is the “monster” Boldheart has sworn to slay. Voice cast includes Chloë Grace Moretz, Riz Ahmed and Eugene Lee Yang. Annapurna/DNEG Animation/Netflix

 

PAW Patrol: The Mighty Movie
PAW Patrol: The Mighty Movie

PAW Patrol: The Mighty Movie. Ryder and his search-and-rescue canine team are back in this sequel to the hit 2021 feature, which finds the pups developing superpowers after a magical meteor crashes into Adventure City. The first movie’s director Cal Brunker is back for the sequel as well. Voice cast includes Tyler Perry, Taraji P. Henson, Dax Shephard, Yara Shahidi and Kim Kardashian. Paramount/Nickelodeon/Spin Master; Oct. 13

 

Spellbound
Spellbound

Spellbound. A teenager comes of age using her magical powers to defend her family when the opposing forces of light and darkness threaten to divide her kingdom. Directed by Vicky Jenson (Shrek, Shark Tale), with a script by Lauren Hynek and Elizabeth Martin (Mulan) and Linda Woolverton (Beauty and the Beast, The Lion King). With songs by Alan Menken and Glenn Slater. Voice cast includes Rachel Zegler, Nicole Kidman, Javier Bardem, John Lithgow, Nathan Lane and Jenifer Lewis. Skydance Animation/Apple Original Films

 

Spider-Man: Across the Spider-Verse. This sequel to the Oscar-winning 2018 movie finds Miles Morales (Shameik Moore) and Gwen Stacy (Hailee Steinfeld) experiencing the ever-expanding world of the Spider-Verse with new web-slinging heroes facing the mysterious villain known as Spot (Jason Schwartzman). With the voices of Jake Johnson as Peter Parker, Issa Rae as Spider-Woman and Oscar Isaac as Spider-Man 2099. Directed by Joaquim Dos Santos, Kemp Powers and Justin K. Thompson, penned by David Callahan and producers Phil Lord and Chris Miller. Sony Pictures Animation/Marvel Ent.; June 2

 

Suzume. Acclaimed Japanese master Makoto Shinkai’s (Your Name., Weathering with You) latest feature follows the adventures of 17-year-old Suzume, who discovers a mysterious door in the mountains and has to find a way to stop similar doors from bringing about disasters all over the world. Crunchyroll and partners will roll the film out in territories around the world following its Japan debut in November. CoMix Wave/Toho/Crunchyroll/Sony/Wild Bunch

 

Teenage Mutant Ninja Turtles: Mutant Mayhem. This seventh theatrical take on Kevin Eastman and Peter Laird’s beloved pizza-loving crimefighters puts the focus on the “teenage” part of the franchise. The CG-animated pic is directed by Jeff Rowe (The Mitchells vs. the Machines) and produced by Seth Rogen, Evan Goldberg and James Weaver. Mikros/Cinesite/Paramount/Nickelodeon; Aug. 4

 

Trolls 3. The third cinematic chapter in the popular DreamWorks franchise is arriving in theaters in time for the holidays in 2023. Universal/DreamWorks; Nov. 17

 

Unicorn Wars. Spanish director Alberto Vázquez’s (Birdboy: The Forgotten Children) epic anti-war fable finds religious fanatic teddy bears waging a bloody war against peaceful, environmentalist unicorns. GKIDS will release the film in the U.S. following late 2022 runs in Spain (Barton Films) and France (Charades). Autour de Minuit/Abano/Uniko

 

The Super Mario Bros. Movie. Directed by Michael Horvath and Michael Jelenic (Teen Titans Go! To the Movies), this much-talked about feature based on the popular Nintendo game features the voices of Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black, Keegan-Michael Key, Seth Rogen, Fred Armisen and Kevin Michael Richardson. Illumination/Nintendo/Universal; April 7

 

Wish
Wish

Wish. Chris Buck (Frozen) and Fawn Veerasunthorn (head of story, Raya and the Last Dragon) direct this musical origin story behind the famous star that grants everyone’s wishes. Jennifer Lee co-wrote the screenplay, which follows a smart and optimistic 17-year-old girl (Ariana Debose) who leads a Kingdom of Wishes against a dark force and is aided by a goat named Valentino (Alan Tudyk). Disney; Nov. 22

 

Eagle Eye Drama Launches Animation Prodco with ‘Abominable Snow Baby’ Leads

U.K. production company Eagle Eye Drama is snowballing its animation activity by launching a new toon shop, dubbed Eaglet Films. The London-based studio will produce a range of projects including series, films and specials, tapping animation talent from all across Europe.

Eagle Eye has tapped creative director Massimo Fenati and executive producer Tess Cuming to lead the new venture, having previously collaborated with them on their entrées to animation in the Channel 4 Christmas specials Quentin Blake’s Clown (2020) and Terry Pratchett’s The Abominable Snow Baby (2021) as well as the six-part Quentin Blake adaptation series Box of Treasures for the BBC. The company, like others, began exploring animation in the wake of worldwide film and TV production shutdowns during the height of the COVID-19 pandemic.

“Our core aspiration when we set up Eagle Eye was to break exciting new talent into the U.K. production community, so we were always very keen to diversify and broaden our portfolio to encompass children’s and family programming,” said Eagle Eye CCO Jo McGrath.

“Our successful foray into animated Christmas specials has been rapidly expanding into a substantial animation slate which now encompasses a major six-part BBC series and a movie development, so it made perfect sense to create a new venture under the visionary creative leadership of Massimo Fenati to allow this burgeoning side of the company to truly flourish and reach its full potential.”

Fenati and Cuming will also join Eaglet Films’ board of directors, alongside Eagle Eye’s Head of Production Isobel Nicholson.

[Source: C21]

Ferly’s ‘Momolu’ Finds Digital Friends in Wizz, Little Dot

Finnish animation, publishing and licensing studio Ferly announced that its kids’ animated brand, Momolu, will feature on children’s YouTube channel, Wizz. As well as the distribution through Wizz, the deal will also see award-winning digital content agency and media network, Little Dot Studios, manage the social media channels for the Momolu brand.

With 2 million subscribers and 400,000 daily views, the Wizz channel will provide a huge platform for young audiences to discover the Momolu world. Both Wizz and Ferly’s own channel on YouTube will be running Momolu Minis and content including clips, compilations and newly created music videos.

The Momolu content and its brand presence on YouTube will be managed by Little Dot Studios, with a focus on English-speaking audiences. The Momolu brand is designed for young children with the intention of helping them to problem-solve through art and design, manage challenges and to work together to find solutions.

“We’re super excited to start our collaboration with Little Dot Studios to bring Momolu to even more kids in the English-speaking territories, and in particular children and families in the U.K.” says Laura Nevanlinna, CEO of Ferly. “Little Dot Studios’ digital expertise is a fantastic addition to our partner network and we can’t wait to work with them on our kids’ content in the future. Further to this, Wizz is known for quality kids’ content and we know Momolu will find himself right at home on its wonderful channel.”

Little Dot’s Director of Entertainment James Loveridge adds, “We can’t wait to add Momolu and Friends to Wizz. It will be joining some of the best preschool kids television shows on YouTube from around the world, therefore the perfect place for the brand to connect with a wider audience. What’s exciting about the partnership is that we’re managing and optimizing the brand’s official channels too, with our wealth of kids entertainment data and experience, we’ll be building a robust digital ecosystem to develop engagement and create a lasting community for the brand.”

Wizz, run by Little Dot Studios, offers preschool shows from the U.K. and around the world. Momolu and Friends joins a lineup of popular seires including Alphablocks, Baby Jake, Octonauts, Peter Rabbit, Woolly and Tig, Everything’s Rosie and Numberblocks. Wizz provides clips and full-length episodes of kids’ favorites as well as exploring new titles for fun or learning, and uploads new content several times a week.

Momolu will also be available on ITV’s new streaming service, ITVX, from December onwards. ITVX will be the U.K. home to all the episodes in the Momolu and Friends series.

Momolu and Friends

Johnny Kelly & Nexus Inspire Conscious Consumption with Black Market

Back Market (blackmarket.com), a global marketplace offering accessible pricing on quality devices as a more sustainable alternative to buying new, launched its “Tech Reborn” campaign this week having enlisted double Cannes Grand Prix winner, Johnny Kelly, to create the centerpiece film, The Monster.

Brought to life with whimsical puppetry and featuring two unlikely friends — a tech-disgorging monster and a concerned little girl — the film highlights the impact of our insatiable desire for the new, offering an alternative, regenerative approach. The production featured over 20 hand-crafted puppets, three of which were different versions of the Monster himself, the young girl, four city slickers, four miners, four zoned out tech fans … not to mention the crying clouds. The spot was also topped off with a bit of stop-motion animation and 2D compositing.

The Monster
The Monster

Tapping into the unique personalities of the characters was particularly vital for the larger-than-life Monster, who is simultaneously emotive and comedic. The character is made up of a tangled ball of discarded charger cables and headphones, wobbling on slim cord limbs and sparking off a chaotic consumeristic energy.

“Somehow, I get to play with puppets for a living, and this particular puppet was especially fun to play with,” says Kelly. “Assembled from the kind of cables you find in every drawer, in every home around the globe — Monster is a sort of big-tech ‘Mr. Messy’. Behind the juggling phones and belching phablets however, is a slightly less silly message about our obsession with the new, and the havoc our over-consumption is wreaking on the world.”

The Monster
The Monster

Kelly’s animation team at Nexus Studios (nexusstudios.com) used photogrammetry to capture the sets, puppets and props to help with previsualization and developed a more dynamic turnaround for compositing, enabling the animation team to quickly visualize in a 3D space how the 2D animation will track on to the real-life puppet’s face. For the magical scene where the phone is made new again, the team used stop motion along with clever choreographed lighting to craft a stylized representation of the Back Market phone regeneration process.

“The story of The Monster asks us to reflect on our own buying habits and challenges the belief that you have to sacrifice something when buying products that have a lower impact on your wallet and the environment. Back Market believes we should do more with what we already have, an idea shared through the tale of a monster who sees that ‘new’ isn’t always better,” said Woody Wright, Head of U.S. Marketing, Back Market.

The Monster
The Monster

“We feel privileged to have worked alongside visionaries like Nexus, Johnny Kelly, Andy Gent, and their talented teams. Johnny’s clear and delightful vision of The Monster helped elevate the script and overall message, and we couldn’t be more proud with how the campaign was brought to life.”

Master model maker Andy Gent and his talented team were behind the creation of Monster and the other puppets. Set fabrication from Asylum and Arch Model Studio.

The Monster is launching regionally in New York in time for the U.S. holidays and will be placed in Premium Video Placements and Premium Social, with notable broadcast moments including the Thanksgiving Day Parade and Christmas in Rockefeller Center.

Passion Pictures Inks First-Look Deal with Circus Studios

Passion Pictures today announces a new partnership with Paris-based animation outfit Circus Studios. The partnership will allow the two studios to continue their successful relationship and enable both award-winning outfits to further expand their long-form animated features and TV series slates.

Passion Paris, a Passion Pictures company, and Circus Studios have previously collaborated on a wide variety of projects, including three seasons and over 650 hours of LEGO City Adventures for original network Nickelodeon.

The studios are currently in development on a brand-new TV series Earthworm Jim: Beyond The Groovy, based on the cult, iconic ’90s computer game, bringing Earthworm Jim’s world to television screens once again.

The new agreement will see Circus Studios working with Passion Pictures’ in-house creative team on CG animation, bolstering Passion Pictures’ offering and capacity for large-scale projects for world-leading clients.

“I am excited to further develop Passion’s creative collaboration with Circus Studios,” says David Park, Executive Producer & Head of Production for Passion Animation. “Along with our Paris team, led by Marc Bodin-Joyeux, the agreement with Circus Studios will enable us to expand Passion Pictures’ offering in France, allowing us to take on larger scale commissions as well as service our own slate of original features and series. This collaboration will help continue Passion’s bold expansion of our animation division.”

Julien Villanueva and Jérome Bacquet, Co-Founders of Circus Studios, add, “We have had a strong working relationship with Marc Bodin-Joyeux for years, working on commercials and animation series for Passion Paris. We are very excited to collaborate with Passion Pictures and to take on these new creative challenges.”

The latest partnership with Circus Studios continues Passion Animation’s expansion following the recent additions of Pixar veteran and Academy Award winner Alan Barillaro, Head of Development Nicki Cortese and Head of Production / EP David Park to Passion’s long-form team, joining Executive Producer Debbie Crosscup and Oscar-winning Founder/Executive Creative Director Andrew Ruhemann.

passion-pictures.com | circus.fr

Platige Image Gets Aussie Tourism Hopping with New Promo

Polish studio Platige Image has launched a new project for Tourism Australia. Films and commercial spots created by the BAFTA-winning animation & VFX studio will be displayed as part of an international campaign aiming to encourage more people to visit Australia, featuring a digitally created Aussie mascot: a kangaroo.

Tourism Australia is the Australian Government agency responsible for attracting international visitors to Australia, both for leisure and business events. The organization is active in 15 key markets and activities include advertising, PR and media programs, trade shows and industry programs, consumer promotions, online communications and consumer research.

The org’s new ambassador is Ruby — a souvenir kangaroo brought to life by Platige Image with CGI animation. The spot prepared by the studio also features actress Rose Byrne, who became the English voice of the campaign. The new film premiered on  October 19 in New York, and the campaign has since hopped to billboards in Singapore, Berlin, New York, Paris and Tokyo.

Within just the first two weeks, the campaign’s nine-minute video on YouTube was viewed by almost 20 million users, while all its videos have totted up more than 100 million views. The spot was also shown on The Tonight Show Starring Jimmy Fallon, one of the most popular talk shows in the U.S.

Besides the nine-minute video, the Platige Image team led by producer Nichole Ryan also delivered 60-, 30- and 15-second commercial spots. Additionally, two versions of 30-second spots and one 15-second video were made for the project collaborator, Australian national carrier Qantas Airlines.

“Michael Gracey, director of the spots commissioned by Tourism Australia and a huge fan of the work of the Polish studio ever since he saw the commercial for Citizen watches, knew that Platige Image was the perfect choice for the project,” notes Ryan. “Choosing us for the execution of these animations was prompted also by our vast experience in working for numerous famous international brands, including Aston Martin, LEGO, Samsung, etc.”

G'day - Tourism Australia
G’day – Tourism Australia

The project also included the creation of the forced perspective large-scale animated 3D billboards intended for DOOH displays at such prestigious locations as Times Square in New York, Moxy in Los Angeles and K-Pop Square in Seoul.

“Creating content for large format displays requires experience in both CG and advertising, and also a lot of streamlined computing power at one’s disposal,” explains Arek Arciszewski, VFX supervisor at Platige Image, who worked on these 3D showpieces. “We are dealing with projection mapping onto large 12K displays. Fortunately, having completed this type of projects in the past — e.g. with Samsung — we managed to plan everything ahead and create it without a hitch.”

Although Platige Image was mostly responsible for generating digital characters and their animation, the studio’s role was not limited to this task, Arciszewski addes: “We also supported the creative process of the project’s commercial parts, in direct cooperation with the agency. Moreover, we ensured that creative ideas took full advantage of the available media, technology, resources and creative power of all the artists involved in this project.”

According to Łukasz Dziedziński, the lead VFX supervisor of the project at Platige Image, creating these animations proved to be not only a challenge in and of itself, but also a genuine test of logistic skills.

“In the nine-minute video we were working with over 150 shots, including 116 digitally animated ones, all of which required setting the proper camera track, adjusting the light, as well as rendering, 3D animation and composition. Each of these steps required various people to coordinate with one another, and the client’s cooperation (to approve each subsequent step). It really was quite a challenge,” says Dziedziński.

Ryan reflects fondly on not only her team’s work on the project, but also the cooperative atmosphere across international borders that resulted in its success. “It was a case of a frankly incredible mutual understanding between all the participating sides. Despite the fact that we worked dispersed — across the whole wide world the communication was virtually perfect. This enabled us to solve any issues as they arose, and make sure that we were on the right track,” the producer shares.

See more of the studio’s work at platige.com.

Gorillaz Mixes with Smirnoff for Live-Animated Experience

Pull up a virtual bar stool and get ready for an evening of truly original mixology with your host: self-proclaimed music legend Murdoc Niccals. The vodka brand Smirnoff and musical originators Gorillaz are back for the next installment in their creative collaboration, following the Limited Edition Smirnoff x Gorillaz No. 21 Vodka Bottle, which sold out in just 24 hours and featured some very special reimagined recipes of classic
Smirnoff cocktails. Gorillaz fans should get ready to mix along with Murdoc as he smooth-talks the audience through his delicious, pickle-perfect creation: The Vodka Murdini.

“When we blend our creativity with our partners, we create innovative and disruptive new experiences for audiences to enjoy,” comments Mark Jarman, Head of Smirnoff GB. “Gorillaz are entertainment originators and real pioneers. This masterclass is a true testament to the endless possibilities that arise from embracing the true power of originality!”

Murdoc Masterclass

The masterclass will go live on YouTube at 18:00 GMT on the Thursday, November 24 on the Gorillaz YouTube Channel and the class is strictly for over those 18+ only (21 in the U.S., please). Fans wanting to follow along at home will need to have to hand: a cocktail shaker, jigger, ice, a martini glass, vermouth, olive brine, pickles and — of course — a bottle of Smirnoff’s No. 21 vodka. The ever-charismatic Murdoc will go live on air to walk fans through his cocktail creation, before hosting a Q&A with those curious about his cocktail credentials or his lasting musical legacy.

“Would you like to know the secret to my signature cocktail, The Vodka Murdini? Or maybe you just want to see me shaking one of those cocktail things while I spin inspiring yarns and solve all your problems? Then tune in to my LIVE mixology masterclass with Smirnoff!” says Niccals. “Not into cocktails or top-draw banter? Just sit back and behold my dazzling new tuxedo!”

Murdini Cocktail
Learn how to craft a perfect Vodka Murdini

The Smirnoff x Gorillaz collaboration began with each of the four band members putting their own personal twist on some classic cocktails made famous by Smirnoff. Since 1864, the brand has impacted on global cocktail culture, introducing the likes of the Vodka Martini cocktail and the Brits’ favorite Bloody Mary into the global liquor cabinet.

This mixology masterclass marks the first time that one of the Gorillaz band members/characters will be able to react live and in real time to fans, thanks to the animation wizards at Nexus Studios (who recently brought the band’s music video “Cracker Island”) and Gorillaz co-creator Jamie Hewlett.

 

The Talk of the Town: The World Animation Summit Brings the Industry Together Once Again!

The 2022 edition of the World Animation Summit was certainly one for the books. Bringing together a wide range of stellar Toon Town superstars and visionaries, the four-day event (Nov. 6-9) was a true celebration of the art form and the brilliant people who create the movies, TV shows and shorts that have inspired and entertained us through the years.

This year’s 2022 Hall of Fame honorees were:

Kristine Belson. President of Sony Pictures Animation, who has led the studio through its brightest years (which have seen the release of Spider-Man: Into the Spider-Verse, The Mitchells vs. the Machines, Vivo and Hair Love). (Award presenter: Director Chris Sanders)

Jorge R. Gutierrez. Writer-director of Netflix’s Annie Award-winning limited series Maya and the Three, director of the feature The Book of Life and co-creator of Nickelodeon’s Emmy-winning show El Tigre: The Adventures of Manny Rivera. (Award presenter: Animator/painter/character designer Sandra Equihua)

Ramsey Naito. President of Nickelodeon Animation and Paramount Animation, who has been a driving force behind movies such as Teenage Mutant Ninja Turtles and PAW Patrol: The Movie and hit shows such as Star Trek: Prodigy, Big Nate, Santiago of the Seas and Kamp Koral. (Award presenter: Voice actor Tom Kenny)

Peter Ramsey. Academy Award-winning director of Sony’s Spider-Man: Into the Spider-Verse and DreamWorks’ Rise of the Guardians, producer of 2023’s Spider-Man: Across the Spider-Verse and director of Netflix’s limited series Lost Ollie. (Award presenter: Animation effects supervisor Marlon West)

Henry Selick. Academy Award-nominated director of stop-motion classics The Nightmare Before Christmas, Coraline and James and the Giant Peach and Netflix’s acclaimed new feature Wendell &Wild. (Award presenter: Director Brad Bird)

Mark Swift. Long-time DreamWorks Animation producer whose many credits include Penguins of Madagascar, Captain Underpants: The First Epic Movie, The Croods: A New Age and this year’s Puss in Boots: The Last Wish. (Award presenter: Director Joel Crawford)

Genndy Tartakovsky. Creator of beloved and award-winning animated shows such as Samurai Jack, Sym-Bionic Titan, Star Wars: Clone Wars and Primal and director of Hotel Transylvania and two of its sequels. (Award presenter: Producer Shareena Carlson)

TeamTO. Pioneering French indie animation studio behind such favorites as Angelo Rules, Mighty Mike, YellowBird, Rabbids Invasion, City of Ghosts and the upcoming show, Jade Armor. (Award presenter: Writer/exec producer Nadine van der Velde)

The gala ceremony was hosted by actor/writer Dan Wicksman.

Karissa Valencia | Mike Hollingsworth
Karissa Valencia | Mike Hollingsworth

On Monday, the summit began on a bright note, with two spectacular creative keynotes delivered by talented show creator Karissa Valencia (Spirit Rangers) and the always hilarious writer, director, animation supervisor and exec producer Mike Hollingsworth (Cat Burglar, BoJack Horseman, Tuca & Bertie, Inside Job). Audiences were treated to an inspiring panel featuring successful animation show creators and exec producers Ben Bayouth, Mary Bredin, Josie Campbell, Bob Higgins and Shane Houghton. Industry veteran Sander Schwartz hosted a timely panel on finding the right global partners with Simon Barrionuevo, Frank Falcone, Andrew Kavanagh and Karen K. Miller.

As it has become a tradition at the summit, this year’s top animated feature award season directors dropped by for an energetic look at their movies during two separate panels. We were lucky to have Dean Fleischer Camp (Marcel the Shell with Shoes On), Joel Crawford (Puss in Boots: The Last Wish), Mark Gustafson (Guillermo del Toro’s Pinocchio), Peggy Holmes (Luck), Chris Williams (The Sea Beast) and (via tape) Domee Shi (Turning Red) during the first hour, and Don Hall (Strange World), Angus MacLane (Lightyear), Pierre Perifel (The Bad Guys), Henry Selick (Wendell & Wild) and Nora Twomey (My Father’s Dragon) during the second hour of the presentation.

Oscar contenders
Oscar feature contender panelists (top L-R) Dean Fleischer Camp, Joel Crawford, Mark Gustafson, Peggy Holmes, Chris Williams, (bottom L-R) Don Hall, Angus MacLane, Nora Twomey, Pierre Perifel & Henry Selick

Monday’s events ended with a spirited discussion about L.A.’s indie animation studios with Mark Caballero, Mo Davoudian, Selma Gladney-Edelman, Mark Hoffmeier and Mike Rauch.

The next day, attendees were treated to a colorful look at how to pitch projects to animation studio execs, moderated by industry veteran Curtis Lelash, with Alexei Bochenek, Ian Graham, Sadaf Cohen Muncy and Kris Wimberly. Next up was a highly informative look at “the business of show business” with Debbie Flores, Matt Shichtman, Annette Van Duren and Anna Berthold-Zuk. Next in line were Kim Berglund, Eryk Casemiro, David Jargowsky and Frank Saperstein, who offered attendees great tips on how to make their projects stand out in the eyes of animation execs.

Superstar Showrunners
Superstar Showrunners (L-R) Tze Chun, Scott Kreamer, Dan Povenmire, Dave Wasson & Cort Lane

After lunch, the “Secrets of Superstar Showrunners” panel brought Tze Chun (Gremlins: Secrets of the Mogwai), Scott Kreamer (Jurassic World: Camp Cretaceous), Cort Lane (My Little Pony: Make Your Mark), Dan Povenmire (Hamster & Gretel) and Dave Wasson (The Cuphead Show!) to the Summit for another dynamic hour of conversation and hot tips. This year’s well-attended “Animation Survival Guide” featured Saraswathi Vani” Balgam, Kimberly Dennison, Josh Fisher, Guillaume Hellouin, Joel Kuwahara and Saxton Moore.

Summit audiences were treated to a special Nickelodeon panel, focusing on how to build successful kids’ franchises for global audiences, with Eryk Casemiro, Emily Nordwind and Claudia Spinelli, hosted by Jake Friedman.

Short film panelists
Short film panelists (L-R) Tom CJ Brown, Amanda Forbis, William Joyce, Sander Joon, Hannah Minghella, (front) Wendy Tilby & Pamela Ribon

The day closed with an entertaining look at a panel featuring some the top animated shorts directors and producers of the year, with Tom CJ Brown (Christopher at Sea), Amanda Forbis & Wendy Tilby (The Flying Sailor), Sander Joon (Sierra), William Joyce (Mr. Spam Gets a New Hat), Hannah Minghella (The Boy, the Mole, the Fox and the Horse) and Pamela Ribon (My Year of Dicks), followed by an exclusive screening of the awards season shorts (Uri Lotan [Black Slide] and João Gonzalez [Ice Merchants] were also represented via tape).

A wonderful presentation by celebrated Disney director John Musker (The Little Mermaid, Aladdin, The Princess and the Frog, Moana) brightened everyone’s morning on Wednesday. Moderated by Jennifer Wolfe, the next panel offered an informative look at some of the new innovations in animation technology and businesses featuring Tricia Biggio, Matt Bilfield, Davis Brimer and Hannah Kole.

John Musker
Animation legend John Musker took audiences on an entertaining tour of recent animation history.

Rob Di Figlia, Elizabeth Ito and Patrick Osborne explored the latest real-time achievements in animation in a panel on how game engines are used to develop IP and build storylines in a whole new way. A special spotlight on Apple TV+’s dynamic new animation lineup featured Laura Clunie, Ron Holsey, Loris Kramer Lunsford, Alex Rockwell, Halle Stanford and Jane Startz, moderated by Karen Idelson.

The final day of the Summit also included a helpful primer on how to reach out to animation studio’s hiring execs, with Bryan Dimas, Ariel Goldberg, Brooke Keesling, Azarin Sohrabkhani and Nellie Tehrani. Another big hit was a special look at the new wave of adult animation, moderated by writer/producer John Derevlany, featuring Fletcher Moules (Entergalactic),  Alissa Nutting (Teenage Euthanasia),  Sam Riegel (The Legend of Vox Machina) and Craig Silverstein (Pantheon). The 2022 edition of the summit closed with an entertaining fireside chat with the always charming and brilliant Sony Pictures Animation president Kristine Belson, followed by a closing night party in celebration of the studio’s 20th anniversary.

K Belson Sony Party
Kristine Belson gave the Summit’s closing remarks before celebrating SPA’s 20th Anniversary (and Animation Magazine’s 35th) on the beautiful grounds of The Garland.

“We were thrilled and honored to have so many of our animation industry friends and talented stars at our Summit this year,” said Animation Magazine president and Summit founder Jean Thoren. “Thanks to our generous sponsors, we were able to bring four days of entertaining and highly valuable panels for our attendees once again. Every year, we are struck by the generosity and kindness of everyone at this event, and we’re constantly reminded of how important it is to catch up with our friends in the industry in this intimate and inspiring environment.”

Event director Kim Derevlany added, “Thanks to all of the amazing people who joined us at the Summit this year. It was so rewarding to witness everyone’s in-person participation after months of planning and prep work to produce this event. Believe it or not, we are already planning the 2023 edition, so please put the dates (Nov. 5-8) on your calendars! We hope you can all join us next year!”

Catch up on all the fun at animationmagazine.net/summit. The World Animation Summit will be back November 5-8, 2023. 

Jean Thoren
Animation Magazine publisher & World Animation Summit founder Jean Thoren

World Animation Summit 2022 photography by Will Thoren.

 

Emmy-Nominated Short ‘Little Bird’ Makes Online Debut

On the heels of its recent nomination in the first annual Children & Family Emmy Awards race, writer/director Chris Perry’s stylized science-fiction short Little Bird is now available to watch online. The film is up for Outstanding Short Form Program, with the kids’ Emmy winners to be announced December 11.

Little Bird tells the story of a young astronaut trying to rescue her father. Featuring the voices of animation icons Phil LaMarr (Samurai Jack, Futurama, MADtv) and Cree Summer (Rugrats, Inspector Gadget), the short was produced using Epic Games’ Unreal Engine and with the support of an Epic MegaGrant.

Little Bird
Little Bird

“Short films are incredibly important incubators for film. Because they’re small in scope, and generally non-commercial, they offer a unique opportunity to try new things,” says Perry. “It’s wonderful that the National Academy of Television Arts and Sciences has a short form category to help encourage this kind of experimentation — and of course it’s an amazing tribute to our cast and crew that we earned a nomination!”

Led by tools developer Raf Anzovin, the Little Bird team created two Unreal Engine plugins to enable their stylized linear production pipeline. The first of these, which shares the name of the short, is now available on github.

Little Bird
Little Bird

“Little Bird (the plugin) enables real-time multi-pass rendering and compositing in-engine,” says Anzovin. “Built on top of Unreal’s compositing plugin Composure, LB is what allowed us to break free from the default photorealism of Unreal and use our own custom lighting and compositing strategies per shot. It includes a robust paint projection system and a custom rim light implementation that helps maintain a graphic look. We’re excited to get other creators using the system and are actively in the process of documenting it as we speak.”

Little Bird
Little Bird

Learn more about the making of the film and track its progress on Instagram. You can also find behind-the-scenes R&D insights on Anzovin’s personal blog.

Little Bird is now available to watch in full for free on Vimeo.

Trailer: ‘SuperKitties’ Ready to Pounce on Disney Junior

An adorable new squad of animal heroes are ready to join the Disney Junior lineup in January in SuperKitties! A new trailer for the CG-animated preschool series dropped today, introducing young viewers to the action-packed adventures of four firece and furry superhero kittens — Ginny, Sparks, Buddy and Bitsy — who are on a mission to make Kittydale a more caring and “pawesome” place.

Defeating villains and imparting important messages of kindness, empathy, friendship, resilience and problem-solving, the SuperKitties voice cast includes Emma Berman (Luca) as Ginny, Cruz Flateau (CoComelon) as Sparks, JeCobi Swain (Home Economics) as Buddy and Pyper Braun (Country Comfort) as Bitsy.

Tied to the trailer launch, Disney Junior has also announced that  American Idol icon Justin Guarini will voice star as the crafty Cat Burglar. As Kittydale’s preeminent thief, if someone has it, Cat Burglar wants it. Always one step ahead, he enjoys playfully teasing the SuperKitties in their never-ending game of cat and mouse. He is all swag until you surprise him, then … cue the scaredy-cat!

SuperKitties is created and executive-produced by Emmy Award winner Paula Rosenthal (Peter Rabbit). Emmy Award-winning producer, director and storyboard artist Kirk Van Wormer (Transformers: Prime) is co-executive producer. The series is produced by Sony Pictures Television – Kids (formerly known as Silvergate Media) in association with Disney Junior.

SuperKitties
SuperKitties

Trailer: ‘The Mighty Ones’ Blast Off for More Quirky, Chaotic Adventures

Rocksy, Berry, Leaf and Twig face uncharted backyard territory in the 10 newest episodes of DreamWorks Animation’s The Mighty Ones Season 4 arriving to Peacock and Hulu December 9.

Created and and executive produced by ​Sunil Hall​ (Gravity Falls) and ​Lynne Naylor (Samurai Jack) and featuring the creative team behind some of the most influential animated series of the last two decades (​The Ren & Stimpy Show, SpongeBob SquarePants, The Powerpuff Girls)​, watch the adventures unfold in the trailer below!

Synopsis: In every backyard a secret world exists filled with tiny creatures. The Mighty Ones follows the hilarious adventures of the smallest of them: a twig, a pebble, a leaf and a strawberry who call themselves “the Mighty Ones.” These best friends live in an unkempt backyard belonging to a trio of equally unkempt humans who they mistake for gods. Despite their diminutive stature, the Mighty Ones are determined to live large and have fun in their wild world.

Now, the Mighty Ones once again find themselves in uncharted territory as they continue to discover unexplored areas of the yard. Twig must fight for his life in a Gladiator Pit after being accidentally discarded into a compost bin. The group embarks on an epic quest to find something called a cup. Leaf struggles to find a decent pair of pants. And when they decide to launch themselves into outer space, they become stuck in the heavens (really, a light bulb).

The Mighty Ones features the voices of Jessica McKenna as Rocksy, Alex Cazares as Very Berry, Jimmy Tatro as Leaf and Josh Brener as Twig.

Guest stars include Johnny Pemberton as Gherkin, Kayvan Novak as The Emperor Worm and Flula Borg as Hans.

The Mighty Ones

 

Cinesite Snags Majority Stake in Assemblage Animation Studio

Mumbai-based Assemblage, one of Asia’s leading premium CGI animation studios, has entered into a partnership with privately owned feature animation & VFX studio Cinesite, which has acquired a majority stake. Assemblage will continue to service its global clientele independently under Founder AK Madhavan and CEO Arjun Madhavan.

Founded in 2013 by industry stalwart Madhavan (amiably known as “Madmax”), Assemblage provides premium 3D animation and visual effects services to major Hollywood studios and independent production companies globally across theatrical features, long-form episodic TV series and short-form content, Assemblage’s portfolio includes Norm of the North (Lionsgate), Trollhunters (Netflix), Arctic Dogs (Entertainment Studios), Chico Bon Bon, Word Party (Netflix), Miraculous Ladybug (Disney), Enchanted Village of Pinocchio (France.TV), Arctic Friends, Puffins, Puffins Impossible (Apple TV, Prime Video) and Swan Princess (Sony).

Antony Hunt
Antony Hunt

“Assemblage is an undisputed CGI animation industry leader in Asia and knows the market, the culture and the landscape better than any other company,” said Antony Hunt, CEO of Cinesite. “To produce the quality of content that we are aiming for to serve the market demand in the future, we need to be able to draw on talent and competence from various territories around the world. Through this venture, we have found the right partner in Assemblage who is well-placed to further solidify its position as an important player in the international animation market, grow its VFX capabilities and meet the extensive commercial demand in Asia.”

Arjun Madhavan
Arjun Madhavan

Assemblage’s Arjun Madhaven commented, “Cinesite brings a wealth of experience in the feature animation and VFX sectors that marries perfectly with our growth strategy. Its creative and technical expertise, multinational presence and robust talent network provides us with enhanced opportunities. This will empower us to further strengthen our service offerings, deepen our footprint and widen our clientele globally. With a legacy of pioneering many firsts in & from India, we are enthused by how much more we can achieve together.”

The partnership with Assemblage comes at a time of unprecedented demand for global animation services and follows on from Cinesite’s previous acquisitions of high performing studios Image Engine in 2015, Trixter in 2018 and, more recentl,y Balkan VFX studio FX3X as well as Canadian animation studios L’Atelier Animation and Squeeze. Collectively, the Cinesite group has over 2,500 filmmakers serving its customers around the world.

Recent and upcoming credits from the group include: Black Panther: Wakanda Forever (Marvel), Matilda (Netflix), Iwájú, Willow, Peter Pan & Wendy (Disney+), Animal Farm (Aniventure, The Imaginarium), The Witcher S3 (Netflix), Foundation S2 (Apple), Strays (Universal) and Teenage Mutant Ninja Turtles: Mutant Mayhem (Paramount) to name a few.

cinesite.com | madassemblage.com