Todd Steinman is a highly accomplished digital media executive with over two decades of experience leading transformative initiatives for major media and entertainment companies as well as fast-growth startups. A trailblazer in leveraging digital platforms, Todd has consistently driven exponential growth, spearheaded innovation, and streamlined operational efficiency across evolving media sectors. His early career at Warner Bros. Records saw him rise rapidly to become one of the youngest Vice Presidents in company history, managing the digital presence for global music icons. He also co-founded Warner Bros. Online, combining music, theatrical, and broadcast assets into one of the most visited online destinations of its time.
As a founder of the pioneering social media agency M80, Todd helped brands redefine how they engage with their customers using a combination of paid, earned and owned strategies. After building and selling M80 to WPP, he continued to excel in leadership roles, leading WPP’s digital media efforts for NBCUniversal. There, he negotiated nine-figure media deals while managing an annual budget exceeding $1 billion. He then joined Disney’s newly formed direct-to-consumer division during the launch of Disney+ where he led Media & Entertainment insights and solutions for the Revenue team, driving opportunities across ESPN, ABC, Freeform, Disney Channels, FX, Nat Geo, and Hulu.
Currently, Todd is President of Toon Media Networks at Kartoon Studios. He has successfully expanded Kartoon Channel's ad-supported and subscription businesses while overseeing Frederator Network’s 2500 YouTube creators, garnering billions of views annually. His extensive expertise in strategy, revenue growth, and content distribution has positioned him as a thought leader and expert operator in today’s rapidly shifting media environment.
The current and future role of AI in animation has divided the industry over the past couple of years. This timely panel will take a look at the possible dangers of AI replacement of human labor force as well as the technical demands and impact of AI on the animation pipeline of both major studios and indie production houses. As the AI tools become more intuitive and intelligent, how will they help or hinder artists? How can we ensure that artists are protected and well-paid in future animation projects? What are some of the most recent innovations in the AI field that animation industry hopefuls need to be aware of?