For more than four decades, audiences have come to expect stunning visual effects in Robert Zemeckis movies. The man who pioneered visual effects and...
***This article originally appeared in the January '23 issue of Animation Magazine (No. 326)***
December marks moviegoers’ return to Pandora after a 13-year absence, which...
Demand for streaming content and games is exploding due to the global pandemic, which spurred massive changes across the media and entertainment (M&E) industry....
Autodesk unveiled updates to Maya, 3ds Max and MotionBuilder today, bringing artists throughout the creative pipeline powerful new tools that accelerate and streamline their...
ACCESS:VFX, an industry-led non-profit coalition of leading visual effects, animation and games studios, announced the launch of a new West Coast chapter. The global...
The talented animated filmmakers of tomorrow took center stage this week as California Institute of the Arts (CalArts) celebrates the 2019 edition of its...
Los Angeles and Melbourne-based independent creative studio Luma Pictures announces the hiring of Shauna Bryan to its world-class visual effects team. Bryan will lead...
As praise for Sony’s Spider-Man: Homecoming rolls in, the contributing VFX studios are stepping forward to share the secrets to their incredible CG feats....
Award-winning artist and animation director Ben Hibon has been hired on as Head Creative Director of visual effects house Luma Pictures as the studio...
ILM and Trixter spearhead the complex mo-cap, animation and effects wizardry that required 19 facilities to make Marvel’s Avengers: Age of Ultron.
The stakes are...
The Animation Magazine 250th issue celebration continues, this time with our list of VFX companies to watch.
They are:
Animal Logic VFX
Atomic Fiction
BlueBolt
Blur Studio
capital T
Clan VFX
Crafty...
OptiTrack has introduced a new family of mo-cap cameras designed for large-volume captures called the Prime Series. Offering capture volumes that extend up to...
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